Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte

Contents

• List of Figures and Tables, List of Music Examples, Notes on the Text and Acknowledgements,
• Part I . Overtures,
• 1. Introduction,
• 2. Enlightenment as Negative Freedom,
• 3. Enlightened Music,
• Part II . Masculine Music,
• 4. Music of Enlightened Masculinity,
• 5. Angry Masculine Music,
• 6. Libertinage and Musical Libertinage,
• 7. The Enlightenment’s Legitimation of Feelings,
• 8. Sensitive Masculine Music, Conclusions to
• Part II : The Differentiation of Masculine Music,
• Part III . Feminine Music,
• 9. Music of Enlightened Femininity,
• 10. Sorrowful Feminine Music,
• 11. Hysterical Feminine Music,
• 12. Music of Feminine Moral Frailty,
• 13. The Musical Ridicule of Female Intentions,
• 14. Two Maids’ and a Peasant Girl’s Music, Conclusions to
• Part III : The Differentiation of Feminine Music,
• Part IV . Seductions,
• 15. Simple Musical Seductions,
• 16. Complex Musical Seduction: Fiordiligi and Ferrando,
• Part V . Finales,
• 17. Five Finales,
• 18. Don Giovanni and the Stone Man,
• 19. Kant, Sade and Don Giovanni,
• 20. Così fan tutte, Act II Finale,
• 21. The Futures of the Operas, Bibliography, Music Examples,
• Index