Book
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Contents
- Editor's
- Introduction by Robert Carl
- Preface by Jann Pasler
- Acknowledgements
- Foreword BOOK 1. IDEAS
- PART I . CHAPTERS ON POSTMODERN CONCEPTS OF MUSIC
- Chapter 1 : The Nature and Origins of Musical Postmodernism
- Chapter 2 : Postmodernism (Not) Defined
- Chapter 3 : Modernism, Postmodernism, the Avant Garde, and Their Audiences
- PART II . CHAPTERS ON CONCEPTS OF POSTMODERN MUSIC
- Chapter 4 : Postmodernism and Related Isms in Today's Music
- Chapter 5 : Unity, Organicism, and Challenges to Their Ubiquity
- Chapter 6 : Beyond Unity
- Chapter 7 : Postmodern Listening
- Chapter 8 : Postmodern Musical Time
- Chapter 9 : Surrealism, Neoclassicism, and Postmodernism
- PART III . POSTMODERN CHAPTERS ON THE CONCEPT OF MUSIC
- Chapter 10 : Economics, Politics, Technology, and Appropriation
- Chapter 11 : Beyond the Beyond: Postmodernism Exemplified BOOK II. CASE HISTORIES
- Chapter 12 : Postmodernism in the Finale of Mahler's Seventh Symphony
- Chapter 13 : Unity and Disunity in Nielsen's Sixth Symphony BOOK III. ESSAYS ON POSTMODERNISM AND JONATHAN KRAMER Editor's note 1. Postmodern Musings, Postmodern Performing by Deborah Bradley-Kramer 2. Are We Postmodern Yet? By Brad Garton 3. Music in the
- Bibliography
- Index