Music Sociology: Examining the Role of Music in Social Life

Contents

• I. What Is Sociology of Music
• Chapter 1 : Here I Stand by Paul Robeson
• Chapter 2 : Five Important Moments in America's Musical History-The Rest of the Story by Sara Towe Horsfall
• Chapter 3 : What Is Sociological about Music by Will Roy and Tim Dowd
• Chapter 4 : American Song by Howard Becker II. Identity and the Experience of Music
• Chapter 5 : Music as Ritual: A Hotline to the Collective Conscious by Sara Towe Horsfall
• Chapter 6 : Moving Past Violence and Vulgarity: Structural Ritualization and Constructed Meaning in Heavy Metal Subculture by Jan-Martijn Meij, Meghan D.Probstfield, Joseph M Simpson, J. David Knottnerus
• Chapter 7 : Authenticity in Latino Music: Scenes of Place by Kathryn M. Nowtny, Jennifer L. Fackler, Gianncarlo Muschi, Carol Vargas, Lindsey Wilson, Joseph A. Kotarba
• Chapter 8 : Ritualistic and Pure Soloing by Roscoe C. Scarborough III. Music and Stratification
• Chapter 9 : Race by Russell A. Potter
• Chapter 10 : (Re)Presentin' the Tragic Mulatto: An Analysis of Multiracial Identity in Rap Music by Matt Oware
• Chapter 11 : Skinhead Identity Contested: Ska Music, Racism, and Youth Culture by Daniel Sarabia
• Chapter 12 : Lowbrow Entertainment to Highbrow Art Form: The Case of Jazz and Heavy Metal by Roscoe C. Scarborough
• Chapter 13 : It Is What It Is: Race, Gender, and Privilege in Hip Hop DJ Culture by Michael Barnes IV. Music and Subcultures
• Chapter 14 : Sect (From Jazz: Myth and Religion) by Neil Leonard
• Chapter 15 : Hardcore: An Ethnographic Study of an Evolving Music Subculture by Kerry Hendricks
• Chapter 16 : Not Fade Away: Ritual Solidarity and Persistence in the Jamband Community by Pam Hunt
• Chapter 17 : Taqwacore: an introduction to Muslim American Punk Rock by Sarah S. Hosman V. Music as Social Change and Commentary
• Chapter 18 : Hitler, the Holocaust, and Heavy Metal Music: Holocaust Memory and Representation in the Heavy Metal Subculture1980-Present by Mark Mengerink
• Chapter 19 : Painful Listening: The Musical Noise and Cultural Transcendence of Southern Italian Tarantism by Lee Blackstone
• Chapter 20 : An International Comparison of the Politics of Straight Edge by William Tsitsos
• Chapter 21 : Sing Out: Collective Singing Rituals of Folk Protest Music in US Social Movements by Jeneve Brooks VI. Commodification of Music
• Chapter 22 : The Industrialization of Popular Music by Simon Frith
• Chapter 23 : Authenticity and Independence in Rap Music and Other Genre Communities by Jennifer C. Lena
• Chapter 24 : A Piece of Art Is Not a Loaf of Bread: Indie Rock's Challenge to Commodification by Jeffrey Nathanial Parker
• Chapter 25 : Operating Outside of the Music Industry: Strategies of Production in a Semi-Professional Musical Art World by Diana Miller
• Chapter 26 : Why Pay for Music? How College Students Rationalize Illegal Downloading by Jason S. Ulsperberger, Kristin Ulsperberger, and Stan H. Hodges.