Jazz: Research and Pedagogy

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Contents Dedication Preface Preface Bibliograpy Acknowledgments Affecting Presence: Horace Silver's Funky Style I. Aesthetics, Appreciation, Collected Criticism, Clubs and Festivals, Philosophy II. Reference Works, Bibliographies, Dictionaries, Encycloped
1. California
2. Chicago
3. Columbus, Ohio
4. Detroit, Michigan
5. Indiana
6. Kansas City
7. Memphis, Tennesse
8. Newark, New Jersey
9. New Orleans/Louisiana
10. New York
11. Seattle, Washington
12. Texas VII. Discography A. Science of Discography B. Individual Discographies C. Collective Discographies VIII. Theses and Dissertations A. Theses and Dissertations on Individuals B. Theses and Dissertations on Several Musicians C. Aesthetics, Criticis
1. Kansas City
2. Los Angeles
3. Memphis
4. Minneapolis
5. New England
6. New Orleans
7. New York City
8. North Carolina
9. Northeast, Ohio World Cultures A. China B. France C. Japan D. Spain E. West Africa/Dahomey F. Zimbabwe IX. Pedagogy Materials A. Arranging and Composing B. Ear Training C. Chord Studies
1. All instruments
2. Bass
3. Drums/Rhythm Instruments
4. Guitar
5. Keyboard
6. Saxophone
7. Trombone
8. Trumpet D. Methods, Pedagogy, General Approaches to Improvisation
1. All Instruments
2. Bands
3. Bass
4. Bass Clef Instruments
5. Bb, C Eb Instruments
6. Clarinet
7. Drums/Percussion
8. Flute
9. Guitar
10. Keyboard
11. Phrasing
12. Rhythm
13. Saxophone
14. Treble Clef Instruments
15. Trombone
16. Trumpet E. Instrument-Specific Approaches to Improvisation 1 .Bass
2. Flute
3. Guitar
4. Keyboard
5. Saxophone
6. Strings
7. Treble Clef Instruments
8. Vocalists
9. Improvisational Materials for Bass and Treble Instruments F. Jamey Aebersold Improvisation Materials
1. Aebersold for Bass
2. Aebersold for Piano X. Transcriptions A. Individual B. Collective XI. Jazz Videos/DVDs A. Individuals and Groups B. Collective C. Club Date D. Artists, Concerts, Groups, Tributes E. History and Influence F Pedagogy G. Film XII. Harlequin Collection of

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Jazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.

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