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Contents
- Contents: Introduction
- Acknowledgements
- Music in Venice: Musical academies in eighteenth-century Venice
- Tenors and basses at the Venetian Ospedali
- Vivaldi: Vivaldi and the empire
- Vivaldi's Serenatas: long cantatas or short operas?
- Vivaldi's 'Manchester' sonatas
- Vivaldi's conch concerto
- A Vivaldi sonata with obbligato organ in Dresden
- Lingua romana in bocca veneziana: Vivaldi, Corelli and the Roman School
- Vivaldi and Rome: observations and hypotheses
- Vivaldi's sacred music: the three periods
- New light on Vivaldi's Stabat Mater
- Other Venetian Composers: The function and character of the instrumental ritornello in the solo cantatas of Tomaso Albinoni (1671-1751)
- Albinoni's oboe concertos
- The effects of music: Benedetto Marcello's cantata Il Timoteo
- The Marcian motets of Benedetto Vinaccesi
- The Taiheg, the Pira and other curiosities of Benedetto Vinaccesi's Suonate da camera a tre, Op. 1
- Addenda and Corrigenda
- Index of musical works and collections
- Index of names.