Book
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Contents
- Contents: Introduction
- Learning in London, Julian Rushton
- Issues of gender: 'Leadership of fashion in musical thought': the importance of Rosa Newmarch in the context of turn-of-the-century British styles of music appreciation, Charlotte Purkis
- Hym(n)ing: music and masculinity in the early Victorian church, Grant Olwage
- The construction of a cultural icon: the case of Jenny Lind, George Biddlecombe
- Church music: 'Hark an awful voice is sounding': redefining the English Catholic hymn repertory through The Westminster Hymnal of 1912, Thomas Muir
- Ancient and modern in the work of Sir John Stainer, Nicholas Temperley
- '...the highest point up to that time reached by the combination of Hebrew and Christian sentiment in music', Peter Horton
- National identity: 'Unfurl the flag and Federate': flags as a representation of patriotism and nationalism in Australian Federation songs, 1880-1906, Peter Campbell
- English national identity and the comic operas of Gilbert and Sullivan, Derek Scott
- Singing the songs of Scotland: the German musician Johann Rupprecht DA1/4rrner and musial life in 19th-century Edinburgh, Barbara Eichner
- National and local institutions: Another string to his bow: the composer conducts, Duncan Barker
- Vincent Novello and the Philharmonic Society of London, Fiona Palmer
- The Oxford commemorations and 19th-century British festival culture, Susan Wollenberg
- One equal music: the emergence of the Royal College of Music, Giles Brightwell
- The family von Glehn, Valerie Langfield
- Index.