Book
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Contents
- Table of Contents
- Introduction
- Part I. Toward Josquin's Style
- Chapter 1. Methodological Minefields
- Chapter 2. An Obsessive Compositional Personality
- Part II. Surveying the Soundscape. The Cappella Sistina, ca. 1480-ca. 1500
- Chapter 3. The Repertory
- Chapter 4. The Lingua Franca
- Chapter 5. A Maximalist Musical Mind: Marbrianus de Orto
- Part III. Josquin's Roman Music in Context
- Chapter 6. Super voces musicales and the L'homme arme Tradition
- Chapter 7. Intersections and Borrowings
- Appendix A. Music Copied into Cappella Sistina Manuscripts before ca. 1500
- Appendix B. Contents of VatS 14 and 51
- Appendix C. Related Repertories: VerBC 761, BarcOC 5, and VatSP B80
- Appendix D. Three Anonymous Da pacem Motets
- Appendix E. Five Canonic Hymn Settings