Counterpoint, Composition and Musica Ficta

Contents

• 1. Musica Recta and Musica Ficta
• 2. Pycard's Credo No. 76
• 3. Renaissance Counterpoint and Musica Ficta
• 4. Diatonic Ficta: Accidentals, Counterpoint and Notation in Aaron's Aggiunta to the Toscanello in Musica
• 5. Dicatonic Ficta Revisited: Josquion's Ave Maria in Context
• 6. Editing Early Music: The Dilemma of Translation
• 7. Some Factors in the Control of Consonance and Sonority: Successive Composition and the Solus Tenor
• 8. Pycard's Double Canon: Evidence of Revision?
• 9. Text Setting in Sacred Music of the Early 15th Century: Evidence and Implications
• 10. Resfacta and Cantare super librum