Changing the System: The Music of Christian Wolff

Printed on demand

Estimated despatch time 7 - 10 days

Contents: Foreword, Michael Parsons
Preface, Stephen Chase and Philip Thomas
Part I Reception, History: 'Our Webern': Cage and Feldman's devotion to Christian Wolff, Michael Hicks
Christian Wolff in Darmstadt, 1972 and 1974, Amy C. Beal. Part II The Music: For pianist: the solo piano music, Philip Thomas
Mutual effects: organization and interaction in the orchestral music of Christian Wolff, James Saunders
Exercising the ensemble: some thoughts on the later music of Christian Wolff, Christopher Fox. Part III Politics: Changing the system: indeterminacy and politics in the early 1970s, David Ryan
'There is always a time': words, music, politics and voice, Stephen Chase. Part IV Performance: Prose Collection: the performer and listener as co-creator, Clemens Gresser
Playing the game? 5 reflections upon performing Christian Wolff's music, Philip Thomas
List of works
Bibliography
Discography
Index.

About
Reviews
Explore

About

Christian Wolff is a composer who has followed a distinctive path often at the centre of avant-garde activity working alongside figures such as John Cage, Merce Cunningham, and Cornelius Cardew. In a career spanning sixty years, he has produced a significant and influential body of work that has aimed to address, in a searching and provocative manner, what it means to be an experimental and socially aware artist. This book provides a wide-ranging introduction to a composer often overlooked despite his influence upon many of the major figures in new music since the 1950s from Cage to John Zorn to the new wave of experimentalists across the globe. As the first detailed analysis of the music of this prolific and highly individual composer, Changing the System: The Music of Christian Wolff contains contributions from leading experts in the field of new and experimental music, as well as from performers and composers who have worked with Wolff. The reception of Wolff's music is discussed in relation to the European avant-garde and also within the context of Wolff's association with Cage and Feldman. Music from his earliest compositions of the 1950s, the highly indeterminate scores, the politically-inspired pieces up to the most recent works are discussed in detail, both in relation to their compositional techniques, general aesthetic development, and matters of performance. The particular challenges and aesthetic issues arising from Wolff's idiosyncratic notations and the implications for performers are a central theme. Likewise, the ways in which Wolff's political persuasions - which arguably account for some of the notational methods he chooses - have been worked out through his music, are examined. With a foreword by his close associate Michael Parsons, this is a valuable addition to experimental music literature.

Reviews

Music and Letters

[Changing the System is] particularly welcome: its nine contributors between them conspire successfully in providing both basic information on, and useful insights into, a generous selection of the composer's works

Book

Contents

Download queue