Poetry and Music in Medieval France

Contents

• List of illustrations
• List of tables
• List of music examples
• Acknowledgments
• Bibliographical note
• List of abbreviations
• Prologue
• Part I . Text and Performance:
• 1. Song and written record in the early thirteenth century
• 2. The sources of song: chansonniers, narratives, dance-song
• 3. The performance of song in Jean Renart's Rose
• Part II . The Boundaries of Genre:
• 4. The refrain
• 5. Refrains in context: a case study
• 6. Contrafacta: from secular to sacred in Gautier de Coinci and later thirteenth-century writing
• Part III . The Location of Culture:
• 7. 'Courtly' and 'popular' in the thirteenth century
• 8. Urban culture: Arras and the puys
• 9. The cultural contexts of Adam de la Halle
• Part IV . Modes of Inscription:
• 10. Songs in writing: the evidence of the manuscripts
• 11. Chante/fable: Aucassin et Nicolette
• 12. Writing music, writing poetry: Le Roman de Fauvel in Paris BN fr. 146
• Part V : Lyric and Narrative:
• 13. The two Roses: Machaut and the thirteenth century
• 14. Rewriting song: chanson, motet, salut, and dit
• 15. Citation and authorship from the thirteenth to the fourteenth century
• Part VI . Envoy: The New Art:
• 16. The Formes fixes: from Adam de la Halle to Guillaume de Machaut
• Epilogue
• Glossary
• Appendix
• Bibliography.