Orlando di Lasso Studies
- Editor: Bergquist, Peter
a series of articles which, in their searching analyses and archival investigations, confidently edge us forward into the realm of certainty and understanding regarding this extremely diverse... — More…
Book
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Contents
- Preface
- List of abbreviations
- 1. Aspects of form in Orlando di Lasso's Magnificat settings James Erb
- 2. Orlando di Lasso and Andrea Gabrieli: two motets and their masses in a Munich choir book from 1564-5 Marie Louise Goellner
- 3. Post-Tridentine liturgical change and functional music: Lasso's cycle of polyphonic Latin hymns Daniel Zager
- 4. The salon as marketplace in the 1550s: patrons and collectors of Lasso's secular music Donna G. Cardamone
- 5. Lasso's 'Standomi un giorno' and the canzone in the mid-sixteenth century Mary S. Lewis
- 6. Lasso's 'Fertur in conviviis': on the history of its text and transmission Bernhold Schmid
- 7. Orlando di Lasso and Rome: personal contacts and musical influences Noel O'Regan
- 8. Orlando di Lasso as a model for composition as seen in the three-voice motets of Jean de Castro Ignace Bossuyt
- 9. The madrigal book of Jean Turnhout (1589) and its relationship to Lasso James Haar
- 10. Modal ordering within Orlando di Lasso's publications Peter Bergquist
- 11. Correct and incorrect accentuation in Lasso's music: on the implied dependence on the text in classical vocal polyphony Horst Leuchtmann
- General index
- Index of Lasso compositions and printed sources.