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Opera and Drama in Eighteenth-Century London

The King's Theatre, Garrick and the Business of Performance

  • Author: Woodfield, Ian
Opera and Drama in Eighteenth-Century London
In his hands the period springs vibrantly to life ... Scholarship with a human face - wonderful stuff

Opera and Drama in Eighteenth-Century London

The King's Theatre, Garrick and the Business of Performance

  • Author: Woodfield, Ian

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Book – Hardback

$167.25

Printed on demand: estimated despatch time 7 - 10 days

In his hands the period springs vibrantly to life ... Scholarship with a human face - wonderful stuff

About

In this study, Ian Woodfield explores the cultural and commercial life of Italian opera in late eighteenth-century London. It was a period when theatre and opera worlds mixed, venues were shared, and agents and managers collaborated and competed. Through primary sources, many analysed for the first time, Woodfield examines such issues as finances, recruitment policy, the handling of singers and composers, links with Paris and Italy, and the role of women in opera management. These key topics are also placed within the context of a personal dispute between two of the most important managers of the day, the woman writer Frances Brooke and the actor David Garrick, which influenced the running of the major venues, the King's Theatre, Drury Lane and Covent Garden. Woodfield has also uncovered new information concerning the influential role of the eighteenth-century music historian and critic Charles Burney, as artistic advisor to the King's Theatre.

Awards and reviews

In his hands the period springs vibrantly to life ... Scholarship with a human face - wonderful stuff

The author is successful in reconstructing what is in total a fascinating picture of the ins and outs of opera management ... an important piece of the historical jigsaw of London theatrical life
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