Journeys to the New World: Hispanic Sacred Music from the 16th & 17th Centuries

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Release Date: 28th Aug 2020
Catalogue No: SIGCD626
Label: Signum
Length: 66 minutes

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Morales, C: Regina caeli a 6

Work length4:27

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The Queen's Six

Franco, H: Salve Regina

Work length9:36

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Victoria: Vidi speciosam

Work length5:58

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Guerrero, Francisco: Trahe me post te, Virgo Maria

Work length4:50

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Lobo, A: Versa est in luctum

Work length4:46

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Padilla, J G: Circumdederunt me

Work length4:15

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López Capillas: In horrore visionis

Work length4:26

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Padilla, J G: Versa est in luctum

Work length3:01

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López Capillas: Tantum ergo

Work length1:39

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Lobo, A: O quam suavis est, Domine

Work length4:32

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Franco, H: Christus factus est

Work length1:59

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Morales, C: O sacrum convivium

Work length4:47

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Victoria: O quam gloriosum

Work length2:20

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Guerrero, Francisco: Beatus Achacius

Work length7:30

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Miguel Mateo de Dallo y Lana: Laudate Dominum

Work length2:06

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The Queen's Six

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This is a musical trip from the mid-Sixteenth Century to around 1700, involving music in Late Renaissance style, carrying Spanish Catholicism across the Atlantic to supplant an indigenous culture. Once the invasion had taken root with the conquest of Tenochtitlán and its transformation to Mexico City, the country became the target of fervent friars and preachers. Franciscans were first in 1523, then Dominicans, all fired with Christian zeal to convert the native population. From the outset they used music to great effect. The accounts that survive show how successful they were in teaching singing and playing, training choirs to perform liturgical music. By the midcentury it was claimed that standards had reached that of Charles V’s chapel. Churches and cathedrals were established throughout the rapidly expanding New Spain. Conquest and Christianity imposed an almost exact replica of Old Spain. Liturgical books, prints of plainchant and polyphony were shipped in throughout the century.

In this recording the singers present music by eight composers. Four of them never went to the New World; their music did. Three of them were born in Spain and were trained in music there; they held appointments in Spain and later emigrated to the new colonial cities. One more became the first composer-choirmaster to be born there of Spanish parents, thus criollo.

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