Il Cembalo Transalpino: Music from the Fitzwilliam Collection

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Her playing is a delight, demonstrating great understanding of both music and instrument. Works from the Fitzwilliam Virginal Book occupy the larger part of the programme, with the Passamezzo... — Choir & Organ, December 2019, 5 out of 5 stars More…

Release Date: 3rd May 2019
Catalogue No: CHAN0819
Label: Chandos
Series: Chaconne
Length: 65 minutes

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Sabbatini Galeazzo: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 99, Praeludium

Work length2:30

$1.00

$1.30

$1.75

Sophie Yates

Philips, P: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 70, Tirsi, di Luca Marenzio

Work length2:50

$1.00

$1.30

$1.75

Sophie Yates

Tisdale’s Virginal Book: Passamezzo pavana

Work length2:22

$1.00

$1.30

$1.75

Sophie Yates

Tisdale’s Virginal Book: Galliarda passamezzo

Work length2:06

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Sophie Yates

Arresti: 18 Sonate da organo di varii autori (Excerpts): No. 18, Aresti

Work length1:59

$1.00

$1.30

$1.75

Sophie Yates

Philips, P: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 71, Freno

Work length3:10

$1.00

$1.30

$1.75

Sophie Yates

Colonna, G P: 18 Sonate da organo di varii autori (Excerpts): No. 7, Colonna di Bologna

Work length2:57

$1.00

$1.30

$1.75

Sophie Yates

Caccini, G: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 82, Amarilli

Work length4:07

$1.00

$1.30

$1.75

Sophie Yates

Frescobaldi: Toccate e partite d'intavolatura, Libro 2: No. 7, Toccata in D Minor, F 3.07

Work length3:09

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Sophie Yates

Philips, P: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 76, Passamezzo pavana

Work length7:56

$2.00

$2.60

$3.50

Philips, P: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 77, Galliarda passamezzo

Work length4:48

$1.00

$1.30

$1.75

Striggio: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 78, Chi farà fede al cielo

Work length5:26

$1.00

$1.30

$1.75

Sophie Yates

Pollarolo: 18 Sonate da organo di varii autori (Excerpts): No. 2, Pollaroli di Venezia

Work length2:53

$1.00

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Philips, P: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 72, Così morirò

Work length1:54

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Sophie Yates

Picchi: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 95, Toccata

Work length3:54

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Sophie Yates

Zipoli: Sonate d'Intavolatura per organo e cimbalo, Op. 1, Pt. 1: No. 11, Canzona in G Minor

Work length3:10

$1.00

$1.30

$1.75

Sophie Yates

Corelli: Violin Sonata in D Minor, Op. 5 No. 7 (Arr. for Harpsichord)

Work length9:54

$4.00

$5.20

$7.00

Sophie Yates

I. Preludio. Vivace

Track length2:18

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II. Corrente. Allegro

Track length3:26

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III. Sarabanda. Largo

Track length1:35

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IV. Giga. Allegro

Track length2:35

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About

All the music in this programme comes from the Fitzwilliam Museum, Cambridge, and most of it was collected by its founder, Richard, Seventh Viscount Fitzwilliam of Merrion. A polymath, lover of music, amateur composer and harpsichordist, musically active from about 1760 until his death, Fitzwilliam created a legacy of exceptional importance to English musical culture. The recording features the Boni harpsichord from the Fitzwilliam Collection, was originally made by Giovanni Battista Boni who worked in Cortona in Tuscany. In some ways it is conventional for its time, having a slab sawn cypress soundboard and light cypress case, but its original set-up was a highly unusual one, with three sets of strings at the same 8 ft pitch. During a previous restoration, by Trevor Beckerleg in 1975, the third register, which had been out of use, was re-instated and this gives the player more resources than does the usual Italian harpsichord: both the front and back rows of jacks pluck the same set of strings but in different places, which gives them a distinctly different timbre, and the various combinations of the three registers provide the player with five distinct sounds to choose from.

Reviews

December 2019

Her playing is a delight, demonstrating great understanding of both music and instrument. Works from the Fitzwilliam Virginal Book occupy the larger part of the programme, with the Passamezzo Pavan and Galliard by Peter Philips particularly impressive. Other works from the collection include the Toccata settima of Frescobaldi, which receives one of the finest performances I have heard, and three sonatas from an Amsterdam collection of 1705 bought by Fitzwilliam in 1771.

July 2019

Read carefully. This is not a disc of music from the Fitzwilliam Virginal Book…The Fitzwilliam connection is clinched by Yates’s use of the Museum’s early 17th-century Tuscan harpsichord by Boni, a crisp, full-throated and deep-coloured beauty. Her playing is strong-fingered, buoyant and well-paced…this is an unusual and well-conceived programme, appealingly performed.

July 2019

A fascinating insight into the more neglected recesses of the Fitzwilliam Collection.

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