Stölzel: Ein Lämmlein geht und trägt die Schuld

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This recording from Hungarian musicians under the direction of György Vashegyi is a fine achievement, and very welcome. The Purcell Choir is a small chamber choir with an attractive, bright tone;... — Choir & Organ, September 2019, 4 out of 5 stars More…

Release Date: 17th May 2019
Catalogue No: GCD924006
Label: Glossa
Length: 58 minutes

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Stölzel: Ein Lämmlein geht und trägt die Schuld (Passionsoratorium)

Work length58:13

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Ágnes Kovács, Péter Bárány, Zoltán Megyesi, Lóránt Najbauer
Purcell Choir, Orfeo Orchestra
György Vashegyi

Pt. 1: No. 1, Ein Lämmlein geht und trägt die Schuld

Track length1:34

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Pt. 1: No. 2, Wohin ist doch mein Freund gegangen?

Track length1:12

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Pt. 1: No. 3, O, Anblick voller Schmerz und Weh

Track length0:43

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Pt. 1: No. 4, Ach wo nehm' ich Tränen her

Track length3:56

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Pt. 1: No. 5, Nun Herr, was du erduldet

Track length1:05

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Pt. 1: No. 6, Mein Jesu, soll dich der

Track length0:47

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Pt. 1: No. 7, Darf ich der falschen Welt nicht trauen

Track length2:23

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Pt. 1: No. 8, Wenn die Welt mit ihren Netzen

Track length0:46

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Pt. 1: No. 9, Ach, treuer Seelenarzt

Track length1:10

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Pt. 1: No. 10, Herr und Meister in dem Helfen

Track length2:25

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Pt. 1: No. 11, Ein Arzt ist uns gegeben

Track length0:52

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Pt. 1: No. 12, Auch ich mein Jesu, fliehe oft von dir

Track length0:55

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Pt. 1: No. 13, Hirte, der aus Liebe stirbt

Track length3:44

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Pt. 1: No. 14, Ich lass dich nicht

Track length0:35

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Pt. 1: No. 15, Ach, dass ihr Augen Quellen wäret

Track length1:09

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Pt. 1: No. 16, Mein nagendes Gewissen

Track length1:11

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Pt. 1: No. 17, Ach, was soll ich Sünder machen

Track length0:36

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Pt. 2: No. 18, Ach, unbeflecktes Gotteslamm

Track length0:44

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Pt. 2: No. 19, Ich will schweigen

Track length1:19

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Pt. 2: No. 20, Die Welt bekümmert sich

Track length0:46

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Pt. 2: No. 21, Kannst du, o Mittler zwischen Gott und mir

Track length0:52

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Pt. 2: No. 22, Allerhöchster Gottes Sohn

Track length3:28

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Pt. 2: No. 23, O, Jesu Christ, Sohn eingeborn

Track length0:52

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Pt. 2: No. 24, O unerhörte Wut, o blutiges Verlangen

Track length0:36

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Pt. 2: No. 25, Haltet ein ihr Mörderklauen

Track length3:08

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Pt. 2: No. 26, Wie wunderbarlich ist doch dieser Strafe

Track length0:36

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Pt. 2: No. 27, Der Mörder Barrabas geht frei aus seinen Banden

Track length0:52

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Pt. 2: No. 28, Meine Sünden heißen dich, Seelenfreund

Track length2:37

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Pt. 2: No. 29, Ach ich und meine Sünden

Track length0:45

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Pt. 2: No. 30, Nun führen sie den Herrn nach Golgatha

Track length1:06

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Pt. 2: No. 31, Mein Heiland, sieh', ich stell' mich willig ein

Track length0:52

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Pt. 2: No. 32, Dein Kreuz, o, Bräut'gam meiner Seelen

Track length4:01

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Pt. 2: No. 33, Drum will ich, weil ich lebe noch

Track length0:24

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Pt. 2: No. 34, So treibet dein Erbarmen, mein Jesu

Track length1:11

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Pt. 2: No. 35, Hier an diesem Kreuzes Stamm

Track length2:57

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Pt. 2: No. 36, O Lamm Gottes ohne Schuld

Track length0:39

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Pt. 2: No. 37, Mein Heiland spricht zuletzt. Es ist vollbracht

Track length1:06

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Pt. 2: No. 38, Mein Jesus stirbt

Track length1:26

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Pt. 2: No. 39, Kommt Menschen, kommt, kommt

Track length2:03

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Pt. 2: No. 40, O Jesu du, mein' Hülf und Ruh'

Track length0:50

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About
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About

After their recent releases of Conti’s Missa Sancti Pauli and Rameau’s Les Indes galantes, conductor György Vashegyi and his Orfeo Orchestra and Purcell Choir present a world premiere recording of a passion by a today virtually unknown composer, Gottfried Heinrich Stölzel. The name of Stölzel does not ring a bell even with the keenest lovers of Baroque music, even though he was a significant figure in the musical life of Germany in the first half of the 18th Century; he was held in highest respect even by Johann Sebastian Bach himself (to name the greatest authority of all), as documents of the time show.

The work recorded here is a so-called ‘passion oratorio’, a musical form widely used in the German speaking world in the 18th Century built upon a series of lyrical contemplations resting on the story of Christ’s passion. The libretto for Ein Lämmlein geht und trägt die Schuld was written by Stölzel himself.

After listening to the passion of Stölzel, one can only agree with Lorenz Mizler, founder of the Corresponding Society of the Music Sciences and the author of an obituary for the composer: “Germany has lost a great deal with the loss of this skilful and really great Kapellmeister, and it would be desirable that there should be many Stölzels in this regard. His name is therefore and will always be venerated not only by the Society, but by all true composers.” Although Mizler was wrong in his prophecy, as Stölzel has been forgotten until recently, recordings like the present one might start a real, if belated renaissance of Stölzel. He deserves it.

Reviews

September 2019

This recording from Hungarian musicians under the direction of György Vashegyi is a fine achievement, and very welcome. The Purcell Choir is a small chamber choir with an attractive, bright tone; the period instruments of the Orfeo Orchestra are led by no less a figure than Simon Standage.

January/February 2020

But this music reveals itself from the very beginning: It is sweet. It is melodious. It moves forward effortlessly. It speaks of joy, and love, and hope. It makes few demands on the musicians and the congregation. And it sounds like nothing else I’ve ever heard in a lifetime of Baroque study. Now that this music has been uncovered (and performed so beautifully), it should never again disappear. It must have provided its initial listeners with joy, consolation, and reassurance; and it’s capable of doing that for us as well. Highest possible recommendation.

Offer,Stölzel: Ein Lämmlein geht und trägt die Schuld

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