Gershwin: Rhapsody In Blue & Piano Concerto in F

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[Bollani] treats most of the solo part with unexpected respect, and even un-swung rhythms. But he occasionally loosens up the text with exaggerated rubato and octave shifts...[His] clear, crisp... — BBC Music Magazine, June 2011, 3 out of 5 stars More…

Release Date: 7th Feb 2011
Catalogue No: 4782739
Label: Decca
Length: 73 minutes

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May 2011

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Gershwin: Rhapsody in Blue

Work length16:12

$0.85

$1.15

Stefano Bollani (piano)
Gewandhausorchester Leipzig
Riccardo Chailly
Recorded: 2010

Gershwin: Porgy and Bess Suite (Catfish Row)

Work length23:43

$4.25

$5.75

Gewandhausorchester Leipzig
Riccardo Chailly
Recorded: 2010

Catfish Row

Track length6:18

$0.85

$1.15

Porgy Sings

Track length4:37

$0.85

$1.15

Fugue

Track length1:51

$0.85

$1.15

Hurricane

Track length3:39

$0.85

$1.15

Good Morning, Brother (Sistuh)

Track length7:18

$0.85

$1.15

Gershwin: Piano Concerto in F major

Work length29:01

$2.55

$3.45

Stefano Bollani (piano)
Gewandhausorchester Leipzig
Riccardo Chailly
Recorded: 2010

1. Allegro

Track length12:16

$0.85

$1.15

2. Adagio

Track length10:16

$0.85

$1.15

3. Allegro agitato

Track length6:29

$0.85

$1.15

George Gershwin, Walter Donaldson: Rialto Ripples (Rag)

Work length4:35

$0.85

$1.15

Stefano Bollani (piano)
Gewandhausorchester Leipzig
Riccardo Chailly
Recorded: 2010

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With this recording of the Rhapsody in Blue and the Concerto in F, Riccardo Chailly blends the classical elegance and sophistication of the Gewandhaus Orchestra with the jazz/blues sensibility of the mercurial Milan-born jazz legend Stefano Bollani.

The Rhapsody was performed in the jazz-band version (orchestrated by Paul Whiteman), while the Concerto was in Gershwin’s original symphonic orchestration.

Completing the well-filled album (over 73 minutes) are the symphonic suite Catfish Row – derived from Gershwin’s opera Porgy and Bess – and Gershwin’s earliest significant work, the Broadway-inspired rag Rialto Ripples.

Reviews

June 2011

[Bollani] treats most of the solo part with unexpected respect, and even un-swung rhythms. But he occasionally loosens up the text with exaggerated rubato and octave shifts...[His] clear, crisp pianism is heard to more convincing effect...in a fine, absolutely straight account of the Concerto in F. And Riccardo Chailly brings off an assured and lively performance of Gershwin's own, little-heard suite from Porgy and Bess, Catfish Row.

June 2011

[Bollani] decorates Gershwin's lines with inner voices and liberally applied re-harmonisations, playing with a jazzman's rhythmic push-pull. His Concerto in F is more literal to Gershwin's text; Chailly paints broad, meticulous brushstrokes...[The Concerto] is as fine as any in the catalogue.

May 2011

The performance of the Concerto is the finest I have ever heard...while all parties are alive to the smallest detail, there is an irreverance and spontaneity which capture the spirit of the work like no other...Rhapsody in Blue opens the disc. It's a cracking account that inhabits the same world as the Concerto...Here again, Bollani's exuberance and panache are infectious.

May 2011

This is one of the best versions [of the Concerto] I know...Bollani and Chailly reject any suggestion of heavy-breathing sentimentality in the second movement's climax and yet the music is no less effective...Chailly is sensitive and even affectionate: it is fun to hear the musicians of the Gewandhausorchester...so obviously enjoying themselves. What would Furtwängler have thought?

27th February 2011

[Bollani's] rapport with his compatriot Riccardo Chailly seems complete in...Rhapsody in Blue and the Concerto in F, which Bollani and Chailly claim to play as written, without pulling about the melodic lines...This very “classical” account is the surprise of the disc, but there is plenty of jazzing in the Rhapsody and zing in the Catfish Row suite

11th February 2011

this intriguing pairing [of Chailly and Bollani]...points up the intrinsic balance between the formal and the demotic that drives "Rhapsody in Blue", and works well, save for some rather over-aggressive percussive flourishes around the 12-minute mark. "Catfish Row", an abbreviated suite culled from Porgy and Bess, is exuberant and involving.

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