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Mozart: Die Zauberflöte, K620

Klaus Florian Vogt (Tamino), Christiane Karg (Pamina), Rolando Villazón (Papageno), Regula Mühlemann (Papagena), Franz-Josef Selig (Sarastro), Albina Shagimuratova (Königin der Nacht), Paul Schweinester (Monostatos)

RIAS Kammerchor, Chamber Orchestra of Europe, Yannick Nézet-Séguin

Vogt shows no signs of lightening an oversized voice. In fact, it is impossible to guess that he isn’t a fresh young lyric tenor. By what vocal magic this was accomplished is beyond me, but except... — Fanfare, January/February 2020 More…

Release Date: 2nd Aug 2019
Catalogue No: 4836400
Label: Deutsche Grammophon
Length: 2 hours 13 minutes

International Classical Music Awards

2019

Nominee - Opera
Opus Klassik Awards

2020

Nominee - Male Singer of the Year (Villazón)

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Mozart: Die Zauberflöte, K620

Work length2:13:46

$61.60

$84.00

$114.80

Klaus Florian Vogt (speaker), Franz-Josef Selig (speaker), Rolando Villazón (baritone), Rolando Villazón (speaker), Levy Sekgapane (tenor), Albina Shagimuratova (soprano), Paul Schweinester (speaker), Klaus Florian Vogt (tenor), Tareq Nazmi (speaker), Levy Sekgapane (speaker), Corinna Scheurle (speaker), Regula Mühlemann (speaker), Christiane Karg (speaker), Jory Vinikour (fortepiano), Douglas Williams (speaker), Claudia Huckle (speaker), Albina Shagimuratova (speaker), Clara Andrada de la Calle (flute), Douglas Williams (bass), Jory Vinikour (glockenspiel), Regula Mühlemann (soprano), Justin Doyle (chorus master), Claudia Huckle (alto), Johanni van Oostrum (speaker), Christiane Karg (soprano), Corinna Scheurle (soprano), Paul Schweinester (tenor), Tareq Nazmi (bass), Johanni van Oostrum (soprano), Franz-Josef Selig (bass)
Chamber Orchestra of Europe, Aurelius Sängerknaben Calw, RIAS Kammerchor
Yannick Nézet-Séguin
Recorded: 2018-07-14
Recording Venue: Festspielhaus, Baden-Baden

Ouverture

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"Zu Hilfe!"

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"Wo bin ich!"

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"Der Vogelfänger bin ich ja"

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"He da!"

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"Dies Bildnis ist bezaubernd schön"

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"Rüste dich mit Mut und Standhaftigkeit"

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"O zittre nicht, mein lieber Sohn"

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"Zum Leiden bin ich auserkoren"

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"Ist's denn auch Wirklichkeit, was ich sah?"

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"Hm! hm! hm!"

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"He Sklaven!"

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"Du feines Täubchen nur herein"

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"Bin ich nicht ein Narr, dass ich mich schrecken ließ?"

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"Bei Männern, welche Liebe fühlen"

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"Zum Ziele führt dich diese Bahn"

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"Die Weisheitslehre dieser Knaben"

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"Wie stark ist nicht dein Zauberton"

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"Schnelle Füße, rascher Mut"

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"Ha! Hab' ich euch noch erwischt!"

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"Es lebe Sarastro! Sarastro lebe!"

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"Herr, ich bin zwar Verbrecherin!"

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"Na, stolzer Jüngling, nur hierher!"

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"Wenn Tugend und Gerechtigkeit der Großen Pfad mit Ruhm bestreut"

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Marcia

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"Ihr Diener der großen Götter Osiris und Isis!"

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"O Isis und Osiris"

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"Eine schreckliche Nacht!"

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"Bewahret euch vor Weibertücken"

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"He, Lichter her!"

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"Wie? Wie? Wie?"

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"Tamino, dein standhaftes Betragen hat gesiegt."

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"Alles fühlt der Liebe Freuden"

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"Zurück!"

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"Der Hölle Rache kocht in meinem Herzen"

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"Morden soll ich?"

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"In diesen heil'gen Hallen"

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"Tamino!"

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"Seid uns zum zweiten Mal willkommen"

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"Tamino! Ich hörte deine Flöte"

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"Ach, ich fühl's, es ist verschwunden!"

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"Nicht wahr, Tamino, ich kann auch schweigen"

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"O Isis und Osiris, welche Wonne!"

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"Prinz, nun hast du noch zwei gefährliche Wege zu wandern."

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"Soll ich dich, Teurer, nicht mehr sehn?"

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"Mensch Papageno! Du hättest verdient..."

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"Ein Mädchen oder Weibchen wünscht Papageno sich!"

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"Da bin ich schon, mein Engel"

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"Bald prangt, den Morgen zu verkünden"

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"Du also bist mein Bräutigam?"

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"Der, welcher wandert diese Straße voll Beschwerden"

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"Wir wandelten durch Feuersgluten"

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„Papagena! Papagena! Papagena!“

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"Pa-Pa-Pa-Pa-Pa-Pa-Papagena!"

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"Nur stille, stille, stille, stille!"

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"Die Strahlen der Sonne vertreiben die Nacht"

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About
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About

In 2012 DG started a series of Mozart operas conducted by Yannick Nézet-Séguin, and initiated by Rolando Villazón, in collaboration with Festspielhaus Baden Baden and with the generous support of ROLEX.

Die Zauberflöte is the 6th installment, after the very successful productions of Don Giovanni, Così fan tutte, Die Entführung aus dem Serail (Grammy Award Nomination), Le Nozze di Figaro (Grammy Award Nomination & Echo Klassik Award) and La Clemenza di Tito.

Frankfurter Allgemeine Zeitung praised Villazón’s “comic talent” in his first Papageno, “achieving ‘heights of emotion’ with the captivating Regula Mühlemann’s Papagena”, as well as the “magical tenor” of Klaus Florian Vogt as Tamino, Christiane Karg’s “lyrically perfect Pamina” and the “imposing” Franz-Josef Selig’s Sarastro. Nézet-Séguin “is a genuine Mozartian ... and rolling out a red carpet for the singers”.

Reviews

January/February 2020

Vogt shows no signs of lightening an oversized voice. In fact, it is impossible to guess that he isn’t a fresh young lyric tenor. By what vocal magic this was accomplished is beyond me, but except for touches of shrillness in his upper register, Vogt is an impressive Mozart hero; he sings “Dies Bildnis ist bezaubernd schön” with such easy stylishness that only Fritz Wunderlich really surpasses him…the Pamina of Christiane Karg exemplifies this singer’s musicality and lovely tone. She is never less than a pleasure to listen to.

Awards Issue 2019

Once again, Yannick Nézet-Séguin proves himself to be a consummate Mozartian. In the opening number, the Three Ladies are delightfully light and airy; the playing of the orchestra, when Papageno enters before discovering Pamina, is beautifully pointed…First-rate conducting, then, but overall a contribution to this excellent series which is slightly below-par.

24th November 2019

[Villazón] sings the notes more than decently and doesn’t sound like a slumming tenor, even if his German is odd...[Vogt's] Tamino is cleanly if vacantly sung in naive tones that are well suited to Mozart. Albina Shagimuratova as the Queen of Night, Christiane Karg as Pamina and Franz-Josef Selig as Sarastro are all top-notch, and Nézet-Séguin conducts a lithe yet momentous account of the score.

Opera Now October 2019

[Nézet-Séguin] manages to drive at quite a pace but still maintain perfect control and not sound rushed. Tenor Klaus Florian Vogt, best known for Wagner, is often criticised for sounding like a Tamino, and here he is just that; a good one too, sounding manly rather than laddish. And if Vogt’s casting raised an eyebrow, Rolando Villazón crops up as Papageno – and, much as I feared another clapped-out tenor giving a baritone role a go, I must report that he is rather good! Not overplayed and clownish, but confidently and pleasingly sung and acted.

Mozart: Die Zauberflöte, K620

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