Mozart: Mass in C minor, K427 'Great'

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Writers on Mozart sometimes take him to task for the alleged mixture of style in the C minor Mass, in particular the use of florid, 'operatic' solo writing amidst all the severe ecclesiastical... — Gramophone Classical Music Guide, 2010 More…

Catalogue No: 4202102
Label: Philips
Length: 53 minutes

Mozart: Mass in C minor, K427 'Great'

Work length53:53

$14.30

$19.50

Sylvia McNair (soprano), Anthony Rolfe Johnson (tenor), Cornelius Hauptmann (bass (vocal)), Lisa Beznosiuk (flute), Anthony Robson (oboe), Alastair Mitchell (bassoon), Diana Montague (mezzo-soprano)
Monteverdi Choir, English Baroque Soloists
Sir John Eliot Gardiner
Recorded: 1986-11
Recording Venue: unknown, London

1. Kyrie

Track length7:22

$1.10

$1.50

2a. Gloria: Gloria

Track length2:26

$1.10

$1.50

2b. Gloria: Laudamus te

Track length4:37

$1.10

$1.50

2c. Gloria: Gratias

Track length1:20

$1.10

$1.50

2d. Gloria: Domine

Track length2:40

$1.10

$1.50

2e. Gloria: Qui tollis

Track length6:17

$1.10

$1.50

2f. Gloria: Quoniam

Track length3:52

$1.10

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2g. Gloria: Jesu Christe

Track length0:45

$1.10

$1.50

2h. Gloria: Cum Sancto Spiritu

Track length3:46

$1.10

$1.50

3a. Credo: Credo

Track length3:31

$1.10

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3b. Credo: Et incarnatus est

Track length8:06

$1.10

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4. Sanctus

Track length3:49

$1.10

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5. Benedictus

Track length5:22

$1.10

$1.50

Reviews
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Reviews

2010

Writers on Mozart sometimes take him to task for the alleged mixture of style in the C minor Mass, in particular the use of florid, 'operatic' solo writing amidst all the severe ecclesiastical counterpoint.
To object is to misunderstand the nature of Mozart's religion, but it takes a performance as stylistically accomplished as this one to make the point in practice. The usual stumbling-block is the 'Et incarnatus', with its richly embellished solo line and its wind obbligatos. Sung as it is here, by Sylvia McNair, beautifully refined in detail, it's indeed passionate, but passionately devout.
McNair is deeply affecting in the 'Christe', taken quite spaciously and set in a measured Kyrie of great cumulative power which also has some fine, clean singing from the Monteverdi Choir.
As with Gardiner's version of the Requiem you might wish for the sound of a boys' choir (why go to the trouble of having authentic instruments if you then use unauthentic voices?) but the bright, forward tone of his sopranos is very persuasive.
The music is all strongly characterised: the 'Gloria' jubilant, the 'Qui tollis' grandly elegiac with its solemn, inexorable march rhythm and its dying phrases echoed between the choirs, the 'Credo' full of vitality. Some of the 'Cum sancto spiritu' fugue is too heavily accented, though.
Nevertheless, a confident recommendation.

Mozart: Mass in C minor, K427 'Great'

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