Cabinet
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Beethoven: Symphony No. 9 in D minor, Op. 125 'Choral'
Rebecca Nash (soprano), Wilke te Brummelstroete (mezzo-soprano), Marcel Beekman (tenor) & Michael Tews (bass)
Laurens Collegium, Laurens Cantori Rotterdam & Orchestra of the Eighteenth Century, Frans Brüggen
Bruggen…achieves a stunning pianissimo at the opening, with strings appearing almost out of nowhere from the wind chords. — More…
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Canticum Canticorum
Spanish polyphonic settings from the Song of Songs
Orchestra of the Renaissance, Richard Cheetham (director) & Michael Noone (guest conductor)
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Seconde Stravaganze: Venetian & Neapolitan music for viol consort
Guido Balestracci (viola da gamba, direction)
L'Amoroso
Gamba virtuoso Guido Balestracci directs his crack ensemble with panache - and some creative licence - in a vibrant tapestry of Italian viol consorts and arrangements exploring 'extravagant'... — More…
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Claros Y Frescos Rios
Spanish Renaissance songs & instrumentals
Nuria Rial (soprano) & José Miguel Moreno (vihuelas)
Rial's voice is admirably clear and focused. and her interpretations avoid the more mannered tendencies of those of either Almajano or the doyenne of Spanish early music sopranos Montserrat... — More…
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Francisco Corselli: Music at the Spanish Court
Nuria Rial (soprano)
El Concierto Español, Emilio Moreno
[Rial] matches the orchestra perfectly, and the balance between voice and instruments is very good. El Concierto Español delivers convincing interpretations of the orchestral scores; the wind... — More…
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De Vitae Fugacitate
Laments, cantatas and arias in 17th-century Germany
Claudio Cavina (countertenor)
Concerto delle Viole, Roberto Gini
…Claudio Cavina's plangent countertenor is a fine match for the mournful sound of the viols… — More…
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Luzzaschi: Quinto Libro de' Madrigali, 1595
Loredana Gintoli (double harp), Franco Pavan, Gabriele Palomba (lutes), Rodney Prada (viola da gamba), Fabio Bonizzoni (harpsichord)
La Venexiana, Claudio Cavina
This 1999 recording of the Ferrarese madrigalist's 1959 collection sounds tart and vivacious, sung by mixed vocal consort and in the style of the Concerto delle Donne, with harp, lute and gamba. — More…
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