Analekta

He shapes and phrases the music with a keen eye (or ear) on its dialogic potential, driving forwards energetically without bullying or indulging in display for its own sake. — Gramophone Magazine, December 2023 More…

An interview with Kerson Leong reveals that his aim for his debut album is ‘to balance flavours, to juxtapose lesser-known pieces with some that people would instantly recognise and could relate’.... — Gramophone Magazine, July 2016 More…

Beside this, other recent violin concertos shrivel: this is a work that sings and soars with a visionary beauty rare in contemporary music. Against a vague, swirling background, the violinist... — The Times, 31st July 2009, 4 out of 5 stars More…

[Wan's] sweet, even tone and unshowy brilliance put me in mind of his fellow Canadian James Ehnes, while the longstanding working relationship of soloist and conductor makes for a happy partnership... — Gramophone Magazine, February 2016 More…

Taylor's gentle singing has the perfect atmosphere of sincerely beautiful piety...Charlotte Nediger plays dextrously and movingly, and the conclusion, 'Mir ekelt mehr zu leben', has an easy... — Gramophone Magazine, April 2012 More…

From the very first bars of Saint-Saens's First Cello Concerto you sense that this disc is going to be exhilarating and rewarding. The performers launch the concerto with terrific passion and... — Gramophone Magazine, March 2013 More…

[Ginastera] Wan rises to the occasion in this performance, bringing the same smoothness we hear in the Serenade. His poise in the opening solo cadenza (which lasts for 6:29) stresses its musicality... — Fanfare, May/June 2021 More…