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Although Kuniko calibrates balances, dynamics, nuances and sonorities with her expected precision, she also creates a genuine sense of repartee between the parts, as if the six original percussionists... — More…
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Bach: Partitas (Re-Imagined for Small Orchestra by Thomas Oehler) Royal Academy of Music Soloists Ensemble, Soloists from The Glenn Gould School, Trevor Pinnock
As is so often the case with arrangements of familiar repertoire, particularly canonical Germanic tonal music, a change of performing media reveals the works anew...Oehler’s craft reveals the... — More…
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Offer, Our Gilded Veins Katherine Bryan, Henry Clay
Royal Scottish National Orchestra, Rory MacDonald
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Harp recitals are almost bound to be appealing, such is the instrument’s seductiveness, but this one has substance, too. — More…
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The voices are pure, beautifully tuned and finely balanced even at the tightest, most radiant dissonances...Taylor's various harps have an honest, rustic appeal...Top-quality singing with the... — More…
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Approachable without being apologetic, emotional but with a sense of dignity, the best of these works can both delight and challenge...Everything is performed with elegance and the requisite... — More…
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Gramophone Magazine, March 2012, Editor's Choice
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Kenny lacks neither extensive playing experience in chamber, orchestral or operatic contexts nor a brilliant musical imagination. She brings both to bear on these performances of ‘old and new... — More…
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BBC Music Magazine Awards, 2020, Finalist - Instrumental
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Stravinsky: The Soldier's Tale
Harrison Birtwistle (The Soldier), George Benjamin (The Devil), Dame Harriet Walter (narrator)
Royal Academy of Music, Oliver Knussen
It’s recorded in a way to convey to the maximum both the poetic detail and the expert pacing of Knussen’s finely-pointed reading, and to give full rein to Dame Harriet’s wonderfully free-spirited... — More…
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The Times Records of the Year, 2017
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Katherine Bryan plays Flute Concertos by Christopher Rouse and Jacques Ibert
Katherine Bryan (flute)
Royal Scottish National Orchestra, Jac van Steen
Bryan certainly has complete mastery of the [Rouse's] technical and expressive demands, as she does in Ibert's Concerto of 1933...Her playing of Debussy's Syrinx, the ne plus ultra of the solo... — More…
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Gramophone Magazine, August 2013, Editor's Choice
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Makedonissimo
by Pande Shahov in collaboration with Simon Trpčeski
Simon Trpčeski, Hidan Mamudov, Aleksandar Krapovski, Alexander Somov, Vlatko Nushev
Don’t be fooled by the playful title…[Makedonissimo] is is a serious affair shaped by input from ethnomusicologists and ultimately chiselled into form by a composer. The sound of the kaval and... — More…
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Presto Editor's Choice, August 2020
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