LAWO
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Arne Nordheim: The Tempest
Suite From the Ballet
Beate Mordal, Jeremy Carpenter, Bergen Philharmonic Orchestra, Edward Gardner
A marvellous recording: I urge everyone to buy this and be enraptured. — More…
Awards:
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Gramophone Magazine, May 2023, Editor's Choice
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Opus Klassik Awards, 2023, Nominated - Female & Male Singers of the Year
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Opus Klassik Awards, 2023, Nominated - Conductor of the Year
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Gramophone Magazine, Critics' Choice 2023
CD
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Prokofiev: Symphony No. 6 & Myaskovsky: Symphony No. 27
RecommendedOslo Philharmonic Orchestra, Vasily Petrenko
Curiously, perhaps, it’s the interpretation of the less well-known and distinctive symphony which wins this disc its five stars...Although the bittersweet bucolics of Myaskovsky’s 27th could... — More…
Awards:
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Presto Recording of the Week, 21st May 2021
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Symphonic Music
CD
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Scriabin: Symphony No. 2 & Piano Concerto
RecommendedKirill Gerstein (piano)
Oslo Philharmonic Orchestra, Vasily Petrenko
Petrenko is the ideal interpreter for this ripe overheated music…The Oslo Philharmonic responds with brilliantly incisive ensemble…Gerstein makes the most of Scriabin’s poetic writing with some... — More…
Awards:
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Presto Editor's Choice, October 2017
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Presto Recordings of the Year, Winner 2017
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Presto Recording of the Week, 8th December 2017
CD
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Rimsky-Korsakov: Capriccio Espagnol, Scheherazade & Russian Easter Festival Overture
RecommendedOslo Philharmonic Orchestra, Vasily Petrenko
What results from these insights is a Scheherazade that makes even some famous rivals seem lazy and careless. Here we get finesse and detailed music-making that brings delight back to a score... — More…
Awards:
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Presto Recording of the Week, 12th June 2020
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Scriabin: Symphony No. 1 & Prometheus
RecommendedKirill Gerstein (piano)
Oslo Philharmonic Orchestra, Oslo Philharmonic Choir, Vasily Petrenko
Never discursive or splashy, Petrenko’s forensic view of the composer may not please those brought up on Soviet-era music-making but I found it very persuasive. — More…
Awards:
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Presto Recording of the Week, 21st September 2018
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Presto Recordings of the Year, Finalist 2018
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Richard Strauss: Don Quixote, Don Juan & Till Eulenspiegels lustige Streiche
RecommendedCatherine Bullock (viola), Louisa Tuck (cello), Oslo Philharmonic Orchestra, Vasily Petrenko
The lunatic, the lover and the joker are of imagination all infinite in these supremely vivid interpretations…Petrenko takes his time over the first unravelling of the melancholy knight’s wits…A... — More…
Awards:
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Record Review, 19th October 2019, Disc of the Week
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Presto Recordings of the Year, Finalist 2019
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Gramophone Magazine, January 2020, Editor's Choice
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BBC Music Magazine, February 2020, Orchestral Choice
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For Welde, this is an auspicious debut disc…while she lacks nothing in excitement when the notes start flying, she produces a velvety sonority at low dynamic levels that constantly beguiles... — More…
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There’s no lack of excitement or, where needed, bombast, and the Osloers’ sound at full throttle is thrilling, their playing superb. But what makes this account so special is that it also has... — More…
Awards:
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Gramophone Magazine, August 2019, Editor's Choice
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[Petrenko] shows an excellent grasp of each symphony's dramatic trajectory, and a broader than usual awareness of the creative legacy within which Scriabin worked — More…
Awards:
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Presto Recordings of the Year, Finalist 2015
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Artificial-sounding reverb mars the authenticity of the massed string sound – and serves to mask some imprecision in the ensemble playing. Solo passages emerge nicely, though, and the combination... — More…
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