Frederick Chopin Institute
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Wieniawski, Dobrzynsky & Kurpinski: Orchestral Works
Alena Baeva (violin), Erich Hoeprich (clarinet), Orchestra of the Eighteenth Century, Jose Maria Florenci
The sheer musical brilliance of Alena Baeva’s collaboration with the Orchestra of the 18th Century under the baton of José Maria Florêncio makes their performance of the [Wieniawski] Violin... — More…
Awards:
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BBC Music Magazine, September 2022, Recording of the Month
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Shostakovich: Piano Concerto No. 1 & Symphony No. 9
Martha Argerich (piano), Jakub Waszczeniuk (trumpet)
Sinfonia Varsovia, Alexandre Rabinovitch-Barakovsky
[A] polished, spontaneous and characterful account, yet avoiding those moments of over self-conscious point making to be found in the Lugano version…in the ninth Symphony, Rabinovitch-Barakovsky... — More…
Awards:
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Gramophone Magazine, February 2018, Editor's Choice
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Karlowicz: Violin Concerto / Rebirth Symphony
Alena Baeva (violin), Royal Philharmonic Orchestra, Grzegorz Nowak
with both the RPO under their Polish associate conductor Grzegorz Nowak and the soloist Alena Baeva on bold form from the start, this is a compelling interpretation...Rebirth requires a conductor... — More…
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The period-instrument colours sound wonderful, not least the oboe solos in the Menuetto of B f lat Symphony, played with poise and freedom. Though Lipiński’s more mature violin concertos give... — More…
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Two Polish composers of different eras are brought together here. Dobrzynski’s Second Symphony is an enjoyable nod to Beethoven, but it is Nowowiejski’s cinematic ballet overture which is the... — More…
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this is an exciting and musically insightful account. As with Brüggen's other recordings, the first movement is spacious and surprisingly close to Wilhelm Furtwängler in interpretative approach.... — More…
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Alexander Lonquich plays Noskowski & Chopin
Alexander Lonquich (piano)
Orchestre des Champs-Élysees, Philippe Herreweghe
Lonquich has a natural sense of rubato, and delves beneath the instrument's dusky patina to produce a deep, melancholy sound. — More…
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Over an hour long, this 1909 symphony is big-boned, dramatic stuff – Wagnerian in feel, scale and sheer orchestral oomph. The playing and the recorded sound are every bit as sumptuous. — More…
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Zarebski: Danses galiciennes & Lutosławski: Concerto for Orchestra
I, Culture Orchestra, Andrey Boreyko
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