Coro
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This is a fascinating lesson in the art of creative transcription by a master transcriber. Both Masses bring out the relaxed and avuncular in Christophers...With scrupulous instrumental underpinning,... — More…
Awards:
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Gramophone Magazine, June 2014, Editor's Choice
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these are some of the most spirited and individual performances of this repertory available...the standard of solo singing is very good. The ad hoc instrumentalists provide sensitive, stylish... — More…
Awards:
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BBC Music Magazine, December 2010, Choral & Song Choice
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From the gorgeously shaped performance of Morten Lauridsen’s modern classic O magnum mysterium which opens the programme, to the urgent, ardent account of James MacMillan’s O radiant dawn which... — More…
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BBC Music Magazine, Disc of the month
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Offer,
The Selva morale e spirituale Collection Celebrating the 450th anniversary of Monteverdi’s birth
The Sixteen, Harry Christophers
3 CDs
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On their journey through Palestrina’s works The Sixteen have provided us with another surprising and delightful vista. — More…
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Haydn: Symphonies Nos. 8 & 84 & Violin Concerto in A major
Aisslinn Nosky (violin)
Handel and Haydn Society, Harry Christophers
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His approach to the symphonies with the venerable Handel and Haydn Society has emphasised the rich tone of his Boston-based orchestra, bearing a greater similarity, perhaps, to the suavity and... — More…
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Haydn: Symphonies Nos. 26 & 86 & Mozart: Violin Concerto No. 3
Aisslinn Nosky (violin)
Handel and Haydn Society, Harry Christophers
[Symphony No. 26] Christophers presents the powerful, restless first movement perfectly, the raucous valveless horns of its close perfectly judged. The first plainchant melody provides the first... — More…
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Haydn: Symphony No. 103 & Theresienmesse
Mary Bevan (soprano), Catherine Wyn-Rogers (mezzo-soprano), Jeremy Budd (tenor), Sumner Thompson
Handel and Haydn Society, Handel and Haydn Society Chorus, Harry Christophers
The Theresienmesse especially suits this orchestra’s sound, which is a touch softer-grained than some other period-instrument groups. — More…
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Perfectly capturing the astringency of Beethoven’s first-period quartets. — More…
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