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The Sixteen’s complete recording of the Selva morale collection has been praised in these pages, and the qualities of ensemble are certainly worth noting here also. They are heard to best effect... — More…
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Royal Welcome Songs for King Charles II Volume IV Mark Dobell, Hugo Hymas, George Pooley, Ben Davies, Daniel Collins, Kirsty Hopkins, Katy Hill, Stuart Young
The Sixteen, The Sixteen Orchestra, Harry Christophers
There is some impressive music here, such as ‘Hark! Hark! Just now my Listening Ears’ sung stylishly by one of the stars of the disc, the tenor Hugo Hymas. — More…
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The artistry of The Sixteen makes this disc worthwhile. More satisfying, however, would be if the group would re-engage with under- or never-recorded Tudor masterpieces, rather than with its... — More…
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Christophers is in his element here, and though his string ensemble is half the size of Purcell’s Twenty-Four Violins, he coaxes a robust, full-bodied sound from his players. The detailed recording... — More…
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Mozart: Mass in C minor, K427 'Great'
Gillian Keith (soprano), Tove Dahlberg (mezzo soprano), Thomas Cooley (tenor) & Nathan Berg (bass-baritone)
Handel and Haydn Society, Harry Christophers
[Christophers] fields an impressive period-instrument orchestra, and a game and regularly strong choir...Of the soloists, the finest is Gillian Keith, consistently graceful and utterly winning... — More…
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Durante: Requiem Alexandra Kidgell (soprano), Katy Hill (soprano), William Purefoy (countertenor), Mark Dobell (tenor), Ben Davies (bass), Clive Driskill-Smith (organ)
Oxford Baroque, Christ Church Cathedral Choir, Oxford, Stephen Darlington
Durante’s 1746 post-Baroque Requiem is no great masterpiece, but it does have moments of elegance and charm which are beautifully rendered. The likeable Organ Concerto benefits from sparkling... — More…
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