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Hannigan brings a fined-down intensity to the more hushed Rimbaud settings such as 'Being Beauteous', but elsewhere her tone tends to flutter under pressure...Gilchrist, by contrast, sounds... — BBC Music Magazine, April 2013, 3 out of 5 stars More…

Lucy Crowe… conveys the intimate chart of her two recitative and arias with clarity of diction and graceful articulation. The Telemann… [Concerto] is given a beguiling, playfully alluring account... — BBC Music Magazine, January 2009, 4 out of 5 stars More…

Florilegium's stylish performances are accented with English reserve...but once past introductions, the performances are cordial and occasionally even jocular, thanks in part to David Miller's... — Gramophone Magazine, April 2014 More…

Solomon coaxes lively performances out of the members of Florilegium, with the depictions of rain, lightning and thunder conjured up by Haydn in the concluding storm movement of ‘Le Soir’ sounding... — BBC Music Magazine, Christmas 2022, 4 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…

Johann Sebastian Bach… wrote Cantata 82, Ich habe genug, in 1727… Florilegium play it with touching gentleness, a filigree of one-to-a-part strings, Ashley Solomon's soft-toned baroque flute,... — BBC Music Magazine, September 2007, 5 out of 5 stars More…

the rising young Dutch violinist/ director Rosanne Philppens draws an exquisitely chill sweetness of expression from her 1727 ‘Barrere’ Strad [in the Stravinsky]. The Haydn performances are... — BBC Music Magazine, Christmas 2021, 4 out of 5 stars More…

..... more than just a novelty; it’s an effort to bridge the musical expressions of east and west. If you want to expand your cultural horizon, this is a good chance to do so ..… — American Record Guide More…