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Bach: Six Trio Sonatas The King’s Consort, Kati Debretzeni, Huw Daniel, Rose Redgrave, Frances Norbury
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Yes, her instrument is glorious and her readings exquisitely crafted, but it’s her carefully selected and interconnected musical choices that truly set her apart. This new recording exemplifies... — More…
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The King's Consort, whose Purcellian pedigree has been honed over a long and distinguished discography, presents informed yet instinctive performances. Purcell's expressive points are made without... — More…
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the Allegri Quartet is still alive and well, and the first thing that needs to be said about the performances is how likeable they are: the playing has all the intelligence, energy and expressive... — More…
Awards:
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BBC Music Magazine, September 2013, Chamber Choice
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Purcell: Royal Odes
Carolyn Sampson (soprano), Iestyn Davies (counter-tenor), Charles Daniels (tenor), Matthew Brook (bass), The King’s Consort, Robert King
In Welcome Glorious Morn for Queen Mary in 1691 we reach a higher musical level. Both Carolyn Sampson and Matthew Brook suavely maintain their vocal lines against the ingenious but busy aria... — More…
Awards:
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Gramophone Magazine, March 2021, Editor's Choice
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Gramophone Awards, 2021, Shortlisted - Choral
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Decades: A Century of Song Vol. 2 1820 - 1830
John Mark Ainsley (tenor), Luis Gomes (tenor), Robin Tritschler (tenor), Anush Hovhanissyan (soprano), Sarah Connolly (mezzo), Christopher Maltman (baritone), Malcolm Martineau (piano)
The singers have been well chosen. Portuguese tenor Luis Gomes is impassioned in Bellini’s small domestic substitutes or operatic arias, while Armenian soprano Anush Hovhannisyan brings vitality... — More…
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A Century of Song Vol. 1 (1810-1820)
Malcolm Martineau (piano), Michael Schade (tenor), Sylvia Schwartz (soprano), Lorna Anderson (soprano), Ann Murray (mezzo), Florian Boesch (baritone)
Schade is always an involved, communicative singer, eagerly responsive to mood and verbal detail, and excelling in tenderness and intimacy…the diamond-bright Spanish-English soprano Sylvia Schwartz... — More…
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Your Tuneful Voice: Handel Oratorio Arias Iestyn Davies (countertenor), Carolyn Sampson (soprano)
The King’s Consort, Robert King
Davies's quick coloratura is dazzling in the final aria, 'How can I stay when love invites?' — More…
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Impossible not to add to the praise that has greeted this beautifully performed collection...The settings are mournful but consolatory. — More…
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The Prelude of the First Suite is unusually spacious...But it's in the dances that de Hoog is outstanding. They retain their essential character...but they're full of nuances in rhythm and phrasing...The... — More…
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