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Handel: Israel in Ägypten RecommendedLydia Teuscher, Julia Doyle (sopranos), Hilary Summers (alto), Benjamin Hulett (tenor), Roderick Williams (bass)
Choir of The King’s Consort & The King’s Consort, Robert King
the performance makes a strong case for the piece, even if Mendelssohn's version is unlikely to make a full-scale comeback. The choir is lively, making every word clear, though some of King's... — More…
Awards:
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Presto Recording of the Week, 11th March 2016
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Gramophone Magazine, April 2016, Editor's Choice
2 CDs
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Elegy – Countertenor duets by Purcell & Blow
Iestyn Davies, James Hall (countertenors)
The King’s Consort, Robert King
Davies is the headline artist on the cover; but in fact he duets with James Hall on notably equal terms, the two voices subtly differing in timbre but compatible in articulation and expressivity.... — More…
Awards:
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Gramophone Magazine, Awards Issue 2019, Editor's Choice
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International Classical Music Awards, 2019, Nominee - Baroque Vocal
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Gramophone Awards, 2020, Shortlisted - Recital
CD
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I was glad: Sacred Music by Stanford & Parry
RecommendedCarolyn Sampson & David Wilson-Johnson
The King’s Consort & Choir of The King’s Consort, Robert King
a revelation. In the opening Magnificat and Nunc dimittis in A by Stanford, the leanness of gut strings lends edge and urgency to the orchestral writing, which perfectly complements the punchy... — More…
Awards:
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Presto Recording of the Week, 28th January 2013
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BBC Music Magazine, April 2013, Choral & Song Choice
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Gramophone Awards, 2013, Finalist - Choral
CD
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He's ingeniously rethought Mrs Purcell's arbitrary ordering, and ends with the magnificent chaconne-driven G minor Sonata Z807, using the so-called 'Golden Sonata' as a central pivot with sonatas... — More…
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Couperin: Trois Leçons de Ténèbres Carolyn Sampson (soprano), Marianne Beate Kielland (mezzo), Lynda Sayce (theorbo), Robert King (chamber organ), Susanne Heinrich (viol)
King's Consort
The two singers complement each other beautifully in the final setting, Kielland's reedy voice, with its somewhat androgynous quality, throwing Sampson's crystalline soprano into high relief... — More…
CD
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Decades: A Century of Song Vol. 3 1830 - 1840
John Mark Ainsley (tenor), Lorna Anderson (soprano), Alexey Gusev (bass-baritone), Angelika Kirchschlager (mezzo), Soraya Mafi (soprano), Malcolm Martineau (piano)
Kirchschlager, a singer incapable of being boring, has the lion’s share of the German Lieder here…With accompaniments that are often discreetly supportive, it’s too easy to take for granted... — More…
Awards:
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Gramophone Magazine, Awards Issue 2018, Editor's Choice
CD
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Purcell: Birthday Odes for Queen Mary
Carolyn Sampson (soprano), Emily Owen (soprano), Iestyn Davies (counter-tenor), Hugh Cutting (counter-tenor), Charles Daniels (tenor), David de Winter (tenor), Matthew Brook (bass-baritone), Edward Grint (bass-baritone), The King's Consort, Robert King
‘Arise My Muse’ (1690) is performed from a new, clearer edition which still allows accomplished singers like Charles Daniels and Iestyn Davies to fashion the melodic lines brilliantly with individuality... — More…
Awards:
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Gramophone Awards, 2022, Shortlisted - Choral
CD
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Gugliemi's disc gives a lively snapshot of what at least might have been heard; and, thanks to an instrument built in the year before Bach's death…how it must have sounded too…thoughtfully programmed,... — More…
Awards:
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Gramophone Magazine, August 2015, Editor's Choice
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Elena Firsova's For Alissa, sounding like a curious cocktail of late Scriabin and Messiaen, was inspired by the Corelli Variations; while Dmitri Smirnov's Blake Sonata, with its exciting second... — More…
Awards:
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Gramophone Awards, 2016, Shortlisted - Baroque Instrumental
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CD
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