Resonus Classics

These little jewels are luminously showcased on the harpsichord: a copy by Colin Booth of an early 18th-century instrument by German maker Johann Christof Fleischer. Its delicate, silvery timbre... — BBC Music Magazine, December 2021, 5 out of 5 stars More…

Rautio’s instrument has an unusually warm and rounded tone, which melds and contrasts satisfyingly with Victoria Simonsen’s cello and Gordon’s violin...And these players make the most of Beethoven’s... — BBC Music Magazine, December 2022, 4 out of 5 stars More…

This is a truly important release, all premiere recordings of works composed between 2014 and 2019 by a master craftsman. — Gramophone Magazine, May 2022 More…

The playing of the Presteigne Festival Orchestra lacks nothing in commitment, directed by Vass with unfussy attention to detail. — Gramophone Magazine, October 2021 More…

The playing of the English Cornett & Sackbut Ensemble is dazzling. Set against a trio of mellow, sonorous sackbuts, the effect is sublime. Irregular phrase lengths and quirky chord changes abound.... — The Arts Desk, October 2018 More…

A crisp and vivid evocation of the milieu of Venice, 1629. That was the year Heinrich Schütz went to Venice and encountered the music of Monteverdi and his acolytes. The playing is faultlessly... — BBC Music Magazine, October 2018, 4 out of 5 stars More…

Every note’s function [is] painstakingly thought through...It’s true that there’s not a lot of recorded competition when it comes to this repertoire, but even if there were I’d wager this would... — Gramophone Magazine, February 2020 More…