Michael Schneider

Telemann could hardly have wished for more ideal advocates: expert soloists and polished ensembles, all finely tuned to the music’s expansive range of moods and textures, from mellow Adagio... — Early Music Today, June 2017, 5 out of 5 stars More…

The Concerto for flute, violin and cello is one of the composer’s most accomplished achievements, forward-looking in its musical idiom and enchanting in the dialogue of its concertante protagonists.... — BBC Music Magazine, December 2019, 4 out of 5 stars More…

[Soloists] are well up the the task and play not only with technical assurance but also with pleasing sensibility...This is a fitting end to an immensely worthwhile series — International Record Review, December 2012 More…

With Schneider himself on recorder or on flute with the splendid Karl Kaiser, with Ingeborg Scheerer on violin and oboists of the calibre of Martin Stadler or Hans-Peter Westermann, we have... — Diapason, June 2017, 5 out of 5 stars More…

Despite the largely identical scoring the quality and various features of individual sonatas and concertos guarantee much variety within the programme. — MusicWeb International, 31st October 2013 More…

La Stagione Frankfurt and Camerata Köln have done music-lovers a great favour by recording these imaginative compositions. What is more, they have done Telemann a great favour by playing them... — MusicWeb International, 11th June 2013 More…