Gianandrea Noseda

As with the series as a whole, the performances are exemplary. Noseda’s familiar combination of rigour and emotional extremism is in evidence throughout...Gillian Keith is the aptly glacial-sounding... — Gramophone Magazine, November 2015 More…

Mariss Jansons’s Oslo Philharmonic recording of Musorgsky’s Pictures at an Exhibition emerged as the lead recommendation some years back, but I’m certain that LSO/Noseda would be the one now — BBC Music Magazine, April 2019 More…

This is a superb disc. There have been distinguished collections of Smetana's symphonic poems but none quite to compare with this in excitement, richness of detail and, in the case of Wallenstein's... — Gramophone Classical Music Guide, 2010 More…

Adapted from his opera about demonic possession, Prokofiev’s Third should be a hair-raising experience – and Noseda and the LSO oblige. They burrow right into the first movement’s teeming, malevolent... — BBC Music Magazine, May 2024, 5 out of 5 stars More…

…the lyrical tragedy Dalibor, a great hymn to friendship, is rarely performed outside his homeland, and even there, relatively few will ever see Libuše, the story of Bohemia's legendary prophetess-queen,... — BBC Music Magazine, September 2009, 5 out of 5 stars More…

In the Symphony… the long crescendos build up a tremendous head of steam, while Noseda handles Liszt's occasionally abrupt harmonic transitions with tact and sensitivity. — BBC Music Magazine, August 2006, 5 out of 5 stars More…

Performances of all four works are outstanding, with the Chandos sound bringing out the full richness of Respighi's writing. — Penguin Guide, 2011 edition More…

It would be hard to imagine more effective treatment of this highly scented repertoire — BBC Music Magazine, August 2006 More…