Dvořák
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Dvořák: Stabat Mater
version for soloists, choir and piano
Julia Kleiter (soprano), Gerhild Romberger (mezzo), Dmitry Korchak (tenor), Tareq Nazmi (bass), Julius Drake (piano)
Chor des Bayerischen Rundfunks, Howard Arman
The excellent Bavarian Radio Chorus are encouraged to phrase accordingly, and the advantages of a compact, professional chorus in a work usually belonging to the choral-society tradition make... — More…
Awards:
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International Classical Music Awards, 2019, Nominee - Choral
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year (Romberger)
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Opus Klassik Awards, 2020, Nominee - Male Singer of the Year (Nazmi)
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Opus Klassik Awards, 2020, Nominee - Conductor of the Year
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Dvořák: Stabat Mater, Op. 58 RecommendedEri Nakamura (soprano), Elisabeth Kulman (contralto), Michael Spyres (tenor), Jongmin Park (bass)
Czech Philharmonic Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek
They bring a depth and richness of warm colours to a score still insufficiently appreciated…Bělohlávek is the authoritative interpreter leading his forces through the piece with confidence and,... — More…
Awards:
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Presto Recording of the Week, 12th May 2017
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Presto Recordings of the Year, Finalist 2017
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Diapason d’Or de l’Année, 2017, Winner - Musique Sacrée
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Dvorak - Requiem & Symphony No. 8
Krassimira Stoyanova (soprano), Mihoko Fujimura (alto), Klaus Florian Vogt (tenor) & Thomas Quasthoff (bass)
Royal Concertgebouw Orchestra, with Vienna Singverein, Mariss Jansons
[Jansons] clearly understands the dynamics of this strongly unified work and nearly everywhere his tempos are well judged. He is also very well served by superb choral singing and orchestral... — More…
Awards:
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Gramophone Awards, 2011, Shortlisted - Choral
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Gramophone Magazine, July 2010, Editor's Choice
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Concept aside, the performance is mostly very well refined, with a bright, fervent choral sound. A finely balanced quartet of soloists brings poise and panache to the Dvořák, with some superb... — More…
2 CDs
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Dvořák: Requiem, Op. 89
Ilse Eerens (soprano), Bernarda Fink (mezzo-soprano), Maximilian Schmitt (tenor) & Nathan Berg (bass-baritone)
Collegium Vocale Gent & Royal Flemish Philharmonic, Philippe Herreweghe
Herreweghe takes his task seriously. The first two movements of the Requiem are for the most part superbly delicate and beautifully shaped. The choral sound is always lovely, even if at times... — More…
Awards:
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International Classical Music Awards, 2016, Winner - Choral
2 CDs
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Dvořák: Requiem, Biblical Songs & Te Deum Ailyn Pérez, Christianne Stotijn, Michael Spyres, Jan Martínik, Kateřina Kněžíková, Svatopluk Sem; Czech Philharmonic, Prague Philharmonic Choir, Jiří Bělohlávek, Jakub Hrůša
Jakub Hrůša’s performance of the Requiem is darkly dramatic and ferociously committed. Every aspect of this recording leaps into life. The soloists are characterful, with heartfelt and clear... — More…
Awards:
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Record Review, 28th March 2020, Record of the Week
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Mariss Jansons conducts Dvorak: Stabat Mater
Erin Wall (soprano), Mihoko Fujimara (mezzo-soprano), Christian Elsner (tenor) & Liang Li (bass)
Chor and Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
Under Jansons, the Bavarian Radio Chorus are in fine voice, crisp of enunciation and excellently balanced against the large orchestra [and] are joined by a distinguished solo quartet…this live... — More…
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Dvořák: Requiem, Op. 89
Christiane Libor (soprano), Ewa Wolak (alto), Daniel Kirch (tenor) & Janusz Monarcha (bass)
Warsaw Philharmonic Orchestra and Choir, Antoni Wit
The Warsaw Philharmonic Choir are in fine collective voice...The quartet of soloists are magnificent...Orchestrally, this is a stunning performance. Perfectly blended woodwind are clearly focused... — More…
Awards:
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Gramophone Magazine, January 2015, Editor's Choice
2 CDs
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Dvorák: Complete Symphonies, Tone Poems, Overtures & Requiem London Symphony Orchestra, Istvan Kertesz
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Dvořák: Stabat Mater, Op. 58
Ilse Eerens (soprano), Michaela Selinger (alto), Maximilian Schmitt (tenor) & Florian Boesch (bass)
Collegium Vocale Gent - Royal Flemish Philharmonic, Philippe Herreweghe
Herreweghe's tempo in the epic first movement is relatively brisk, which makes its central section seem slightly rushed. Pity, since the soloists are excellent and the choral sound is nicely... — More…
Awards:
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Gramophone Magazine, July 2013, Disc of the Month
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Gramophone Awards, 2014, Shortlisted - Choral
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