Antje Weithaas

The Brahms receives a great performance from Weithaas, Hornung, and Manze, commanding and assertive without being overbearing. Musicianship is the key word here. Rather than take apart each movement,... — Fanfare, Jul/Aug 2020 More…

the adventurous spirit Weithaas and Várjon convey here makes me eager to hear future instalments. — Gramophone Magazine, July 2023 More…

The Allegro con spirito of the Third Sonata – Op. 1 2 No 3 – is permeated by a bounding optimism which this pair nicely catch, and they bring out the poetry of the Adagio, darkening the piano’s... — BBC Music Magazine, January 2024, 3 out of 5 stars More…

In the solo Bach pieces, Weithaas makes even the A minor fugue sound like musical droplets falling onto a warm bed of contrapuntal moss, with ringingly true intonation and golden sound, subtly... — BBC Music Magazine, September 2016, 5 out of 5 stars More…

it is particularly exciting and refreshing to hear Weithaas in true isolation with her beautiful and varied tone...and absolutely meticulous technique. Most of all, you can hear her complex thinking... — Gramophone Magazine, March 2015 More…

The generous interplay between the three soloists – Helmchen and violinist Antje Weithaas alongside Hecker – is a joy, finely judged, sensitive and exuberant in turn, and full of refreshing clarity. — BBC Music Magazine, January 2021, 4 out of 5 stars More…

The multiple-strings version of the String Quartet in G is fascinating. I've long felt that the opening is really orchestral music, and in Weithaas's hands it leaps into life as exactly that. — BBC Music Magazine, March 2016, 3 out of 5 stars More…