Tom Winpenny

All in all, this is not only a fascinating historical record but also a superlative musical one. — Gramophone Magazine, May 2021 More…

Winpenny’s excellent performance is enhanced by the vibrant colours of the Dudelange instrument. — Choir & Organ, November 2018, 5 out of 5 stars More…

I cannot help feeling that the well-travelled Messiaen would have approved of the Klais organ in the Icelandic capital. It renders all the colours with forthright clarity and an atmospheric... — Choir & Organ, November 2019, 5 out of 5 stars More…

Playing at Hereford Cathedral, in the Elgarian heartland, Winpenny has flair and feeling for the [sonata’s] structure, also highlighting textures (not least in the second movement) that sometimes... — BBC Music Magazine, December 2022, 4 out of 5 stars More…

I doubt there’s a better organist than Tom Winpenny anywhere to be found, and precious few that can match his musical and technical skills. These works allow him to shine, and should appeal... — Fanfare, May/June 2022 More…

Accented with classical and contemporary French accents, Te Deum (1996) prefaces expressive organ passages with plainchant canticles. The beautiful twinning of two In nomine settings (2000)... — Choir & Organ, January 2019, 4 out of 5 stars More…

this disc, impressively realised by Winpenny, presents six pieces culminating in the grand Symphony for Organ...If the prolific Williamson had written nothing else, he would still be remembered... — Sunday Times, 4th May 2014 More…

The crisp and rhythmic playing of Tom Winpenny, coupled with a colourful use of the unspoilt Victorian Binns organ (1892) at Queens' College, Cambridge, brings these performances of Stanford's... — Gramophone Magazine More…