Arcangelo
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Handel's Finest Arias for Base Voice, Vol. 2 Christopher Purves (baritone)
Arcangelo, Jonathan Cohen
Some of Handel’s greatest music was written for bass-baritones, and in Purves finds its ideal interpreter. — More…
Awards:
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BBC Music Magazine, Opera Choice
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Gramophone Magazine, August 2018, Editor's Choice
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This is perfect ground for Lindsey and Cohen, both extremely accomplished and transformative performers of Baroque music...Her extraordinary vocal evocations are complemented throughout by the... — More…
Awards:
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Presto Editor's Choice, May 2021
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Gramophone Magazine, July 2021, Editor's Choice
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BBC Music Magazine, September 2021, Opera Choice
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Baroque Vocal
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BBC Music Magazine Awards, 2022, Shortlisted - Vocal
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Offer,
Arias for Guadagni Recommendedthe first modern castrato
Iestyn Davies (countertenor)
Arcangelo, Jonathan Cohen
Through his effortless line, countertenor Iestyn Davies revivifies Guadagni's Orphic powers...Whether drawing out sustained notes or knitting together filigreed coloratura, he is a paragon of... — More…
Awards:
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Gramophone Magazine, August 2012, Editor's Choice
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Gramophone Awards, 2012, Winner - Recital
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Verdi: Otello
RecommendedPlácido Domingo (Otello), Cheryl Studer (Desdemona), Sergei Leiferkus (Iago), Ramón Vargas (Cassio), Michael Schade (Rodrigo), Ildebrando D'Arcangelo (Lodovico), Giacomo Prestia (Montano), Denyce Graves (Emilia)
Bastille Opera, Myung-Whun Chung
theatre, so Otello is a difficult opera to bring off out of it. For some years now, Domingo has been, on stage, the greatest Otello of our age. On record, though, he has had less success. Leiferkus... — More…
Awards:
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Building a Library, January 2001, First Choice
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Mozart: Don Giovanni, K527
RecommendedRodney Gilfry (Don Giovanni), Luba Orgonasova (Anna), Charlotte Margiono (Elvira), Eirian James (Zerlina), Christoph Prégardien (Don Ottavio), Ildebrando d'Arcangelo (Leporello), Julian Clarkson (Masetto), Andrea Silvestrelli (Commendatore)
English Baroque Soloists, John Eliot Gardiner
Gardiner's set has a great deal to commend it.
The recitative is sung with exemplary care over pacing so that it sounds as it should, like heightened and vivid conversation, often to electrifying... — More…Awards:
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Building a Library, July 2018, Also recommended
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an extremely attractive potpourri - and it's extremely attractively executed by Christiane Karg...she's an expert technician with a lovely bright voice. She is also a responsive, intelligent... — More…
Awards:
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Gramophone Magazine, Awards Issue 2012, Editor's Choice
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Donizetti: L'elisir d'amore
Rolando Villazón (Nemorino), Anna Netrebko (Adina), Leo Nucci (Belcore), Ildebrando d'Arcangelo (Dulcamara), Inna Los (Giannetta)
Orchester & Chor der Wiener Staatsoper, Alfred Eschwé
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Donizetti: L'elisir d'amore
Rolando Villazón (Nemorino), Anna Netrebko (Adina), Leo Nucci (Belcore), Ildebrando d'Arcangelo (Dulcamara), Inna Los (Giannetta)
Orchester & Chor der Wiener Staatsoper, Alfred Eschwé
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Opera: New Generation
Natalie Dessay, Peter Mattei, Véronique Gens, Elina Garanca, Dawn Upshaw, David Daniels, Susan Graham, Ian Bostridge, Anne-Sofie von Otter, Stephanie Blythe, Ildebranco d'Arcangelo, Patricia Ciofi, Philippe Jaroussky, Laurent Naouri, Rolando Villazón, Vivica Genaux, Katia Ricciarelli, Roberto Alagna,...
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Arias for Benucci
Arias written for the buffo bass-baritone Francesco Benucci, Mozart’s first Figaro
Matthew Rose (bass), Katherine Watson (soprano), Anna Devin (soprano)
Arcangelo, Jonathan Cohen
Matthew Rose's protean instrument may lack the full-bodied glamour of, say, Ildebrando D'Arcangelo's, and his Italian, albeit extremely proficient, sports a noticeable English accent. Happily,... — More…
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