Johannes Moser

Moser gives us an exciting, high-tension ride with an impressive sense of structure. He's a musician of alacrity, power and style: virtuosic passages benefit from his fleet effortlessness. — BBC Music Magazine, December 2015 More…

Moser is an unfailingly elegant soloist…the Tchaikovsky Variations have a suitably Rococo grace and spirit — BBC Music Magazine, May 2017, 3 out of 5 stars More…

Playing with depth and naturalness but above all a sense of theatre, [Moser] shapes an animated performance [of the Lutosławski] together with Thomas Søndergård and the Berlin orchestra. With... — BBC Music Magazine, February 2019, 4 out of 5 stars More…

Rands studied with Dallapiccola and Berio and his music is lean, tense and melodically driven…Moser is a committed and nuanced soloist. — Gramophone Magazine, April 2019 More…

...her Emperor has a controlled resplendence. But it is in the fillers that Kodama shines, offering a magical Concerto No 0 (with improvised cadenza in consultation with Martin Galling). Her... — International Piano, January 2020 More…

Moser's playing is technically adroit and he has audibly tuned in to each composer's idiom. From his brief introductory note it is clear he sympathises with their individuality of approach and... — Gramophone Magazine, September 2011 More…

…Moser gives a strong, impassioned account of the Second Concerto… It's in this work that Moser distances himself most noticeably from Maria Kliegel… overall, Moser is more imaginative and... — BBC Music Magazine, April 2009, 5 out of 5 stars More…