Royal Liverpool Philharmonic Orchestra
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She is a pianist who makes lines sing beautifully and virtuosic passages dance, finding intimacy and eloquence at telling moments…[in the Concerto] Kanneh-Mason matches what we know of Clara’s... — More…
Awards:
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Presto Recording of the Week, 5th July 2019
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Gramophone Magazine, August 2019, Editor's Choice
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The New York Times, Recordings of the Year 2019
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Opus Klassik Awards, 2020, Winner - Newcomer of the Year
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Beethoven: Piano Concertos Nos. 5 'Emperor' & 0
Boris Giltburg (piano), Royal Liverpool Philharmonic Orchestra, Vasily Petrenko
Playing a bright-toned Fazioli grand with grand with steely authority, Giltburg gives a fine account of the ‘Emperor’ Concerto...In short, a reliable, inexpensive, straight-down-the-middle modern... — More…
Awards:
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International Classical Music Awards, 2023, Nominated - Concerto
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Opus Klassik Awards, 2023, Nominated - Conductor of the Year
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Tharaud plays Rachmaninov
RecommendedAlexandre Tharaud (piano), Sabine Devieilhe (soprano), Aleksandar Madžar (piano) & Alexander Melnikov (piano)
Royal Liverpool Philharmonic Orchestra, Alexander Vedernikov
After the famous introductory bars – following the score rather than the composer’s recording – the sweeping first subject enters faster, thankfully, than Richter’s celebrated account but with... — More…
Awards:
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Gramophone Magazine, October 2016, Editor's Choice
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Presto Recordings of the Year, Finalist 2016
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Gramophone Awards, 2017, Shortlisted - Concerto
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Benjamin Grosvenor plays Rhapsody in Blue RecommendedBenjamin Grosvenor (piano)
Royal Liverpool Philharmonic Orchestra, James Judd
reservations pale into Beckmesserish scratchings besides the delights of this disc and especially of Grosvenor's pianism. I can only concur with other critics who hear in his tone and phrasing... — More…
Awards:
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Presto Recording of the Week, 6th August 2012
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Gramophone Magazine, November 2012, Editor's Choice
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Vaughan Williams - Piano Concerto
Ashley Wass (piano)
Royal Liverpool Philharmonic Orchestra, James Judd
Ashley Wass's commanding way with the solo part is beautifully poised in the Romanza, while admirably resisting any temptation to smooth over the Toccata's hard edges. Both in the Concerto... — More…
Awards:
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Gramophone Magazine, December 2009, Editor's Choice
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Rêves - Ysaÿe: Violin Concerto in E minor & Poème concertant
Philippe Graffin (violin), Royal Liverpool Philharmonic Orchestra, Jean-Jacques Kantorow, Marisa Gupta
Both works are dark and virtuosic, and Graff in rises to the challenge, his fragile yet def iant instrument soaring above brooding orchestral forces. — More…
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Beethoven: Violin Concerto & Two Romances
James Ehnes (violin)
Royal Liverpool Philharmonic Orchestra, Andrew Manze
The warmth and sweetness of James Ehnes’s tone stand him in very good stead, and his pianissimo playing conveys an admirable sense of mystery. He’s greatly helped by having a sympathetic fellow-violinist... — More…
Awards:
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Gramophone Magazine, November 2017, Editor's Choice
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Nicola Benedetti - Fantasie Nicola Benedetti (violin), Alexei Grynyuk (piano)
Royal Liverpool Philharmonic Orchestra, London Philharmonic Orchestra, London Symphony Orchestra, Vasily Petrenko, Andrew Litton, Daniel Harding
The Lark Ascending is beautifully played, with pure, unforced tone, and in the unmeasured passages Benedetti imaginatively suggests the bird's unfettered, unpredictable flight. By contrast,... — More…
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Shostakovich: Piano Concertos Nos. 1 & 2
RecommendedBoris Giltburg (piano), Rhys Owens (trumpet)
Royal Liverpool Philharmonic Orchestra, Vasily Petrenko
Boris Giltburg and Vasily Petrenko are a tight unit, the pianist’s dashing virtuosity and subtlety of touch matched by equally incisive interpolations from the orchestra — More…
Awards:
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Building A Library, May 2021, Recommended Recording - Piano Concerto No. 2
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