Bournemouth Symphony Orchestra
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One notoriously tricky passage after another…is brought off with top-flight panache and accuracy…Brilliant precision in the Scherzo, successful avoidance of over-emotive juice-extraction in... — More…
Awards:
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Presto Recordings of the Year, Finalist 2017
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Building A Library, July 2022, Also Recommended
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Karabits, supported by the Bournemouth Symphony Orchestra's outstandingly responsive playing, gives an utterly compelling account of the Third...Karabits's performance of No. 7, with both its... — More…
Awards:
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Gramophone Magazine, June 2014, Editor's Choice
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Presto Recordings of the Year, Finalist 2014
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These works sound as if written at the turn of the 20th century, certainly by an admirer of Scriabin’s Divine Poem. Both, in fact, date from the 1950s…The Bournemouth Symphony play the music... — More…
Awards:
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Gramophone Magazine, January 2019, Editor's Choice
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International Classical Music Awards, 2019, Nominee - Symphonic Music
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[Karabits] manages to give the [Fourth Symphony] greater structural coherence through a sharper delineation of moods in each of the four movements. The Bournemouth Symphony Orchestra is exceptionally... — More…
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Rattle steals the prize in the three scherzo: Purgatorio is devilishly fast and sly, Schnelle Viertel explosive, and the lightning switches of mood in the Allegro pesante handled with flair. — More…
Awards:
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Building a Library, September 2000, First Choice
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Building a Library, March 2011, First Choice
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Gramophone Awards, 2000, Recording of the Year
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Mussorgsky-Stokowski: Pictures at an Exhibition
RecommendedBournemouth Symphony Orchestra, José Serebrier
Serebrier's own imposing, heavyweight style yields different results to the volatile Knussen… but it's always absorbing. Something of the Stokowski sound is filtered through the refined texturing... — More…
Awards:
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Gramophone Magazine, Awards Issue 2005, Disc of the Month
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Penguin Guide, Rosette
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Like Kancheli, Terterian relied a good deal on short-breathed rhetorical gestures and the shock value of extreme louds and softs, but his own ‘spiritual’ idiom comes without the aura of consolation…[The... — More…
Awards:
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Diapason d’Or, April 2020, Découverte
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Alwyn (whose centenary year fell in 2005) is a composer of strong communicative gifts and the best of his music exhibits a disarming emotional candour, generous lyricism, powerful sense of argument... — More…
Awards:
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Gramophone Magazine, September 2005, Editor's Choice
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If you know that feeling of expectancy, of vast potential energy, at the outset of a great symphony, you'll surely respond to the opening of Simpson's Ninth – and be wholly engrossed. You'll... — More…
Awards:
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Gramophone Awards, 1989, Winner - Contemporary
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Penguin Guide, Rosette
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Michael Tippett - Complete Symphonies
Faye Robinson (soprano)
Bournemouth Symphony Orchestra, Richard Hickox
The riot of proliferating counterpoint that is Tippett's Symphony No 1 presents enough problems of orchestral balance to give recording teams nightmares. Chandos has managed creditable degrees... — More…
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