New,History as Fantasy in Music, Sound, Image, and Media

Contents

• Introduction – James Cook, Alexander Kolassa, Alexander Robinson, Adam Whittaker
• I. Using and Misusing Early Music
• 1. ‘Official’ (televisual) History, Music and the Reinforcement of Popular Imagination: the Case of David Starkey’s Monarchy - Alexander Robinson (Independent Scholar)
• 2. ‘So, is Musike to be considered, that the Minde may be preferred, before the eare’: Taking John Dee's approach to Damon Albarn's Dr Dee - Ralph Corrigan (Independent Scholar)
• 3. Music for Shakespeare and the Early Modern in the Silent Cinema - Kendra Leonard (The Silent Film Sound and Music Archive)
• 4. Early Music in the Early Game: Civilization VI’ - Jennifer Smith (University of Huddersfield)
• 5. Masked Orgies and Backwards Priests: Music and Ritual in Stanley Kubrick’s Eyes Wide Shut (1999) - Daniel Trocmé-Latter (University of Cambridge)
• II. Early music, immersive media, and virtual histories
• 6. Audio-Visual Interaction in Virtual Worlds: Seeing Sound and Hearing Objects in Visual Cultures - James Cook (University of Edinburgh)
• 7. Half-real worlds? Representing musical pasts in virtual/augmented reality - Adam Whittaker (Royal Birmingham Conservatoire)
• 8. Soundscapes of Virtuality: sound and immersion in historical environments - Stephen Tatlow (Royal Holloway University of London)
• III. Early music out of time and space
• 9. Haunted by the Past: Music and Folk Horror in Children of the Stones - Alexander Kolassa (The Open University)
• 10. Retro-sounding or Sounding Retro? Shovel Knight, Medievalism, and the Neo-retro - Dean Chalmers (University of Edinburgh)
• 11. Medievalism and the Construction of the Past in the Music of Final Fantasy - Dan Donnelly (Independent Scholar)
• 12. A Jolly Good Thirteenth Century Romp: Galavant as a Medievalist Musical Comedy for Television - William Everett (University of Missouri)