Book
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Contents
- Introduction, Charles Hamm
- Chapter 11. John Cage, Arnold Schoenberg, and the Musical Idea, David W. Bernstein
- Chapter 22. Cultural Intersections: John Cage in Seattle (1938-1940), Leta E. Miller
- Chapter 33. No Ear for Music: Timbre in the Early Percussion Music of John Cage, Christopher Shultis
- Chapter 44. John Cage's Imaginary Landscape No. 1: Through the Looking Glass, Susan Key
- Chapter 55. "A Therapeutic Value for City Dwellers": The Development of John Cage's Early Avant-Garde Aesthetic Position, Branden W. Joseph
- Chapter 66. The Picture That Is Not in the Colors: Cage, Coomaraswamy, and the Impact of India, David W. Patterson
- Chapter 77. An Imaginary Grid: Rhythmic Structure in Cage's Music Up to circa 1950, Paul van Emmerik
- Chapter 88. Structure vs. Form in The Sonatas and Interludes for Prepared Piano, Chadwick Jenkins
- Contributors Index