Brazilian Popular Music and Globalization

Contents

• List of Illustrations Preface
• 1. Chiclete con Banana: Internationalization in Brazilian Popular Music, Charles A. Perrone and Christopher Dunn
• 2. Carmen Mirandadada, Caetano Veloso
• 3. Myth, Melopeia, and Mimesis: Black Orpheus, Orfeu, and Internationalization in Brazilian Popular Music, Charles A. Perrone
• 4. Tropicália, Counterculture, and the Diasporic Imagination in Brazil, Christopher Dunn
• 5. Globalizing Caetano Veloso: Globalization as Seen through a Brazilian Pop Prism, Liv Socik
• 6. Cannibals, Mutants, and Hipsters: The Tropicalist Revival, John J. Harvey
• 7. Defeated Rallies, Mournful Anthems, and the Origins of Brazilian Heavy Metal, Idleber Avelar
• 8. The Localization of Global Funk in Bahia and in Rio, Livio Sansone
• 9. World of Fantasy, Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador, Bahia, Milton Araújo Moura
• 10. Songs of Olodum: Ethnicity, Activism, and Art in Globalized Carnival Community, Piers Armstrong
• 11. Fogo na Babilonia: Reggae, Black Counterculture, and Globalization in Brazil, Osmundo de Araújo Pinho
• 12. Reggae and Samba-Reggae in Bahia: A Case of Long-distance Belonging, Antonio J. V. dos Santos Godi
• 13. Black or Brau: Music and Subjectivity in a Global Context, Ari Lima
• 14. Turned-Around Beat: Maracatu de Basque Virado amd Chico Science, Larry Crook
• 15. Self-Discovery in Brazilian Popular Music: Mestre Ambrósio, John Murphy
• 16. Good Blood in the Veins of This Brazilian Rio, or a Cannibalist Transnationalism, Fredrick Moehn Contributors Copyrights and Acknowledgements Index