C.P.E. Bach: Die Auferstehung und Himmelfahrt Jesu, H. 777

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Release Date: 25th Feb 2022
Catalogue No: PAS1115
Label: Passacaille
Length: 69 minutes

Usually despatched in 3 - 4 working days

Carl Philipp Emanuel Bach, Karl Wilhelm Ramler: Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1

Work length32:11

$12.00

$16.80

$21.00

Kieran Carrel, Lore Binon, Andreas Wolf
Il Gardellino, Vlaams Radiokoor
Bart Van Reyn

No. 1. Einleitung

Track length1:13

$1.00

$1.40

$1.75

No. 2. Chor, "Gott, Du wirst seine Seele nicht in der Hölle lassen" (Chorus)

Track length2:43

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$1.40

$1.75

No. 3. Rezitativ, "Judäa zittert!" (Baritone)

Track length1:25

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$1.75

No. 4. Aria, "Mein Geist, voll Furcht und Freude, beben!" (Baritone)

Track length3:32

$1.00

$1.40

$1.75

No. 5. Chor, "Triumph! Triumph! Des Herrn Gesalbter sieget!" (Chorus)

Track length1:56

$1.00

$1.40

$1.75

No. 6. Rezitativ, "Die frommen Töchter Zions" (Tenor)

Track length1:27

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$1.75

No. 7. Aria, "Wie bang hat dich mein Lied beweint!" (Soprano)

Track length3:46

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$1.75

No. 8. Rezitativ, "Wer ist die Sionitin" (Baritone)

Track length1:58

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No. 9. Duett, "Vater deiner schwachen Kinder" (Tenor, Soprano)

Track length6:10

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$1.75

No. 10. Rezitativ, "Freundinnen Jesu, sagt" (Tenor)

Track length1:51

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$1.75

No. 11. Aria, "Ich folge dir, verklärter Held" (Tenor)

Track length4:25

$1.00

$1.40

$1.75

No. 12. Chor, "Tod! Wo ist dein Stachel?" (Chorus)

Track length1:45

$1.00

$1.40

$1.75

Carl Philipp Emanuel Bach, Karl Wilhelm Ramler: Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 2

Work length36:52

$10.50

$14.70

$18.35

Andreas Wolf, Kieran Carrel
Il Gardellino, Vlaams Radiokoor
Bart Van Reyn

No. 1. Einleitung

Track length0:47

$1.00

$1.40

$1.75

No. 2. Rezitativ, "Dort seh' ich aus den Toren" (Baritone)

Track length5:24

$1.00

$1.40

$1.75

No. 3. Aria, "Willkommen, Heiland! Freut euch, Väter!" (Baritone)

Track length6:21

$1.00

$1.40

$1.75

No. 4. Chor, "Triumph! Triumph! Der Fürst des Lebens sieget!" (Chorus)

Track length1:55

$1.00

$1.40

$1.75

No. 5. Rezitativ, "Elf auserwählte Jünger" (Tenor)

Track length2:22

$1.00

$1.40

$1.75

No. 6. Aria, "Mein Herr! Mein Gott!" (Tenor)

Track length4:07

$1.00

$1.40

$1.75

No. 7. Chor, "Triumph! Triumph! Der Sohn des Höchsten sieget!" (Chorus)

Track length1:55

$1.00

$1.40

$1.75

No. 8. Rezitativ, "Auf einem Hügel" (Tenor)

Track length2:04

$1.00

$1.40

$1.75

No. 9. Aria, "Ihr Tore Gottes, öffnet euch!" (Baritone)

Track length3:35

$1.00

$1.40

$1.75

No. 10. Chor, "Gott fähret auf mit Jauchzen" (Chorus)

Track length8:22

$1.50

$2.10

$2.60

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Interview, Bart Van Reyn on CPE Bach's Die Auferstehung

14th June 2022

The Belgian conductor discusses his new recording of Die Auferstehung und Himmelfahrt Jesu, a passion-oratorio on Christ's Resurrection and Ascension which was conducted by Mozart in the presence of Beethoven and Haydn (and influenced the latter's The Creation).

A new recording to be released in April by Passacaille Records unveils CPE Bach's majestic oratorio covering the resurrection and ascension of Jesus Die Auferstehung und Himmelfahrt Jesu a work which he claimed would "bring me much honour even after my death and much profit to lovers of the art." Renowned conductor Bart Van Reyn directs the multi Diapason d'Or winning Il Gardellino Baroque Orchestra and the Vlaams Radiokoor where he is Musical Director joined by soprano Lore Binon, tenor Kieran Carrel and baritone Andreas Wolf.

Written by CPE Bach in 1774, six years after arriving in Hamburg,' Die Auferstehung und Himmelfahrt Jesu' is a large-scale "passion oratorio", presenting an operatic response to a poetic rather than scriptural text, and designed for concert performance rather than liturgical use.

The artistically ambitious setting of twenty-two movements in two halves marks the liminal space between the Baroque and Classical, omitting chorales and using the chorus to great dramatic effect. The libretto, by Karl Wilhelm Ramler, provides an emotive response to the core themes, incorporating fragments from both the Old and New Testaments rather than offering a chronological account.

CPE Bach regarded the work highly and arranged for Breitkopf to publish it in 1787, even taking on the financial risk involved.

Following its publication, the oratorio soon became a model for late-eighteenth and early nineteenth-century composers including Haydn, whose The Creation of ten years later bears distinct allusions. Mozart would direct three performances of the work in Spring 1788, and the oratorio soon became a model for later composers.

C.P.E. Bach: Die Auferstehung und Himmelfahrt Jesu, H. 777

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Interview, Bart Van Reyn on CPE Bach's Die Auferstehung

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